The Science of Rice

rice“The greatest gift they’ll get this year is life”  ~Bob Geldof, Do they know it’s Christmas?

As an Anglo-Australian, I grew up on a diet of meat and three veg. Potatoes were my staple carbohydrate, and rice was simply Calrose. After years living in Asia I grew, finally, better informed, but a recent trip to the International Rice Research Institute (IRRI) in the Philippines broadened my knowledge considerably.

Travelling in a multi-cultural convoy from the Asian Development Bank in Manila, we drove down through Calamba to Los Baños on the banks of Laguna, where we found the headquarters of the International Rice Research Institute. The compound contains the Riceworld museum and learning centre, 200 hectares of experimental farm, a training centre, laboratories and the International Rice Genebank, as well as accommodation for foreign staff.

Rice, as they say, is life and it is also the past, present and future of Asia. Rice is rich inour-facilities-page energy-giving carbohydrates and very low in fat. It contains no cholesterol, and it is salt free, sugar free and gluten free. And rice sustains two-thirds of the world’s population, so it is hardly surprising that so much attention is focused on its production.

So, IRRI is a non-profit research organization, that works across Asia and Africa. Its work is funded by both governments and private sector, where the staff works tirelessly to develop genetic diversity, sustainability, higher yields and better production techniques. Why? Because rice farmers world-wide are facing the major issues of food security, global warming, poverty and malnutrition, as micro-nutrient deficiencies in rice – ‘hidden hunger’ – seriously affect the health of women and children. On a lesser, but still important scale, they are also battling with the effects of disease, pests, weeds, droughts and floods on their crops.  Part of IRRI’s contribution involves donating free foundation seeds specific to the needs of farmers in different regions.

On December 9, 1959 a Memorandum of Understanding was signed in New York to establish IRRI as an organization ‘to do basic research on the rice plant and applied research on all phases of rice production, management, distribution and utilization.’  Just our-facilities-experimental-farmingover two years later, on February 7, 1962 Philippine President and Mrs. Diosdado Macapagal and Mr. and Mrs. John D. Rockefeller III attended a dedication, which marked the formal foundation of the International Rice Research Institute. Three months later, the first crop of IRRI’s Maximum Yield Experiment was seeded. Christened the Long-Term Continuous Cropping Experiment (LTCCE), it has been producing three crops a year for over fifty years to test for sustainability and the effect of long-term planting on soil quality. It has become the longest-running field trial on rice in the world.

Arriving in a spacious and attractive courtyard just opposite that historical rice paddy, twenty five ADB spouses were welcomed by two IRRI guides, who began our education with a short film about rice production, followed by a tour of the museum. Discussions on rice breeding and genetic modification led to some surprisingly vehement reactions, especially from guests whose countrymen are more heavily invested in the success of rice development than I. At the other end of the scale we examined simple tools and machinery still in use for rice farming in poorer regions, where farmers still need to be able to fix their equipment with a length of wire and a tin can.

Our next stop was the IRRI Genebank, which stores the most comprehensive rice better-rice-varieties-aboutcollection in the world – to date, over 123,000 varieties from all over the world, including wild, heirloom and genetically engineered ‘golden’ rice, a new type of rice that contains beta carotene, which is a source of vitamin A.

Many varieties are specially bred to withstand drought or flood waters (known as ‘scuba’ rice), viruses and insects. All of them are stored in specially designed refrigerated rooms that feel positively Arctic when you wander in wearing only a light summer dress.

The corridor to the Genebank is a who’s who of Asian royalty and world politicians that have visited IRRI over the past fifty years. Outside the storage rooms there are long tables filled with workers integral to the running of the bank.  We watched, fascinated, as these female labourers systematically sorted through handfuls of rice at an astonishing speed, separating the wheat from the chaff so to speak – or rather, weeding out the diseased or damaged rice kernels before filing the remaining ‘good eggs’ in the bank.

women-and-capacity-building-the-needAccording to the IRRI website, ‘women play an important role in the global rice sector as both paid and unpaid family labor’ yet they are often hampered by social restrictions and gender stereotyping from becoming involved at higher levels, so IRRI works with them to empower them and strengthen their role in agricultural research and development.

At the end of the tour, our new friends very generously hosted a buffet lunch at the IRRI Guesthouse and we later posed amongst the rockery on the patio. And yes, there was rice for lunch.

*With thanks to Judy and Charmian and their team for their hospitality, and to the IRRI website and Google for their images.

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A Fragrant Outdoor Kitchen

‘An Indian kitchen is a fragrant kitchen’    ~ Ragini Dey

 Spice_Kitchen_titleMy favourite new Indian cookbook, ‘Spice Kitchen,’ by Indian-Australian restaurateur Ragini Dey, describes Indian food as ‘vibrant, colourful and richly flavoured… yet devilishly sly as its spices lie in wait for unsuspecting palates.’ Earlier this week we gathered in a garden in Forbes Park and learned the truth of that description.

We were a multi-cultural mixed bag of Indians and Bhutanese, Australians and New Zealanders, Swedes, Filipinas, Japanese and Korean, interested in learning more about Indian and Bhutanese cooking.

The garden had been set up like a TV show, with the audience sitting on garden chairs in front of an outdoor ‘kitchen’ complete with gas burners, waiting for the show to begin. The chefs were our friends, on a mission to raise money for the school children we support while concurrently teaching us about their cuisine .

I love Indian food, and I particularly love the attitude to cooking it. We were given recipes, but promptly advised that the specifics are flexible: Indians just tend ‘to bung in’ all the ingredients. Pakistanis, I gather, are far more particular about measurements. Coming from the chop-and-chuck school of cooking myself, “bunging” sounded more my style.

Having said that, these ladies were highly organized and obviously well versed in takingspices cooking classes.  Spices had been carefully measured out into little bowls and arranged on a tray. All the other ingredients had been prepared earlier, too, as each member of the team took a turn at talking us through a recipe.

We began with a cheese and cucumber salad from the Kingdom of Bhutan, with ingredients reminiscent of a salsa: cucumber, tomato, raw onion and fresh coriander.  The quantity of chili and the cheese added surprising heat and texture respectively to the salad.

The most distinctive and beloved characteristic of Bhutanese cuisine is its spiciness. The Bhutanese eat a lot of chilli, fresh, dry, and powdered, but if you don’t want it so hot, cut down on quantities. The same goes for the Szechuan pepper: if it is too hot or unavailable, just replace with paprika.

 In Bhutan this dish is made with datshi, a local curd cheese made from yak’s milk, but unless you  have a yak hiding in your apartment and know how to make your own fresh cheese, you may need to improvise. Try the local carabao cheese Kesong puti as a good alternative.

Next up, was a North Indian paneer tikka. This is also traditionally made with cottage cheese, but again, this isn’t easy to find in the Philippines, so thinking outside the box, use feta  cheese.  Marinated in a yoghurt based sauce brimming with spices, the cheese is then arranged on satay sticks with red onion, bell peppers, and pineapple before cooking it under the grill or on hot skillet, charred till smoky. Serve them with a mint chutney and watch for the smiles. And for the more carnivorously inclined, the same recipe can be done with chicken pieces.

There was also a discussion about mustard oil with its very distinctive aroma  (think of burying your nose in a jar of Dijon mustard and how that clears the sinuses). Apparently it’s a cheap and commonly used oil in eastern India. It is also a heavy oil, but apparently if you heat it to smoking point that will lighten it a little.

I had just arrived in Manila the first time I watched samosas being made, and a groupsamosas of Pakistani women were raising funds for flood victims. It took almost three hours to make those little snacks that we devoured in three minutes flat. They were absolutely delicious, but as one Hungarian woman said in her sexy, heavy accent: “What a waste of good drinking time!”

Today’s efforts were much more efficient, and our sample samosas were done and dusted in half an hour – a much more acceptable time frame, especially as we had  noticed platters of pre-made samosas waiting in the wings, and our mouths were watering already.  When making the crust, we were advised, use any familiar shortening: Crisco, ghee, butter or canola oil, as long as you get the balance right so that the dough doesn’t crumble, but holds together when you pinch it. We practiced folding half circles of paper into the right shape while the ladies out front made the filling, and told us that we can bake the samosas instead of frying them and they will keep for a week in the fridge. Sure, but not in my house! They vanish is moments.

alooo gobiOur talented cooks whipped up four more dishes in rapid succession:  okra with onion (bhindi do pyaza); aloo gobi; mustard fish and a chicken curry, which came with tips to pile in the finely diced onion for a thicker gravy, add oil to butter to prevent the butter burning, and toss salt into the grinder with the mustard seeds to remove the bitterness.

To complete our Indian luncheon, we were offered a cup of kulfi – that cardamom flavoured pistachio ice-cream perfect for Filipino taste buds, with its blend of richly sweet evaporated  and condensed milks, and Nestlé cream.

I love the lyricism of spices: cardomom and coriander, kalonji and carom, almost onomatopoeic in the way they dance off the tongue. More practical than poetic were the household hints: coriander powder is good for bile and astoefetida is good for reducing gas – both common complaints for anyone with a tendency to guzzle curries like me.

So, apart from ‘bunging,’ the other message was simply to experiment and innovate if you can’t find exactly the right ingredients. Ragini Dey recommends this too:

Don’t be afraid to try unfamiliar spices to get to know their distinctive flavours…. experiment with different combinations – your imagination and taste buds will do the rest…

…and then enjoy the feast. I have to add though, I especially enjoyed the luxury of watching someone else do the cooking. Somehow that makes it all taste so much better!

*with thanks to Google images for the majority of these photos – well you all know I am a hopeless photographer.

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A Life’s Work

shiphrah.5Jeri Gunderson is a tall, slim, wiry American on a mission. Warm and enthusiastic, she talks easily about her life and work in the Philippines. Huddling in a corner of the Shiphrah Birthing Home on the rim of Metro Manila, she chats with my daughter, my mother and me, as we try to keep out of the way of a deluge of pregnant women wandering through for pre-natal classes and health checks.

Jeri first arrived in Manila almost twenty seven years ago, with her husband and five children, as missionaries, sent to set up a church in Taytay.

Midwifery was a sideline that has become a life’s work, although she clarifies quickly that she fell into midwifery, and has had no formal training. Her first teacher was a hippie from Seattle, who she helped casually to deliver babies. Midwifery is one of the oldest professions for women, and these two women, self-taught and learning through experience, were obviously doing something right. After one birth – “a baby I just happened to catch,” she laughs self-deprecatingly – the new mother asked her to come to her village to teach other women about pre-natal care. And so it all began, quite by chance.

Despite a lack of formal training, Jeri obviously had the knack for delivering babies successfully, and the women were soon lining up at the door. After delivering babies in her spare room for four years on a diet of adrenalin and no sleep, she felt it was time to move the birthing centre elsewhere. “Every one of my kids had been thrown out of bed to make way for a birth,” she laughs. “But we are risk takers, and somebody is nobody if we don’t do it.”

As I think I have mentioned before, the name Shiphrah (pronounced Shif-ra), is taken from the biblical story of Moses, in which two midwifes bravely defy Herod by preventing the genocide of Hebrew boys. Almost five hundred babies are delivered here annually, and the staff has grown from five to twenty seven. Jeri has safely delivered many children into the world over the years but these days she is happy to watch from the sidelines, handing those duties over to a team of trained midwives that includes her daughter, Deborah Gustafson.

“I don’t see myself as a midwife,” she confesses. Yet after giving birth to six of her own, she clearly wants to share the joy of childbirth. As one woman heads home, beaming proudly down at a tiny bundle of daughter delivered only hours before,  Jeri says, “My gift is to create a space where things like this can happen.” And she gets plenty of joy in return, watching families come through a happy birth together.

The efforts of Jeri and her team to deliver children safely into the world have the full support of the World Health Organization, which states that:

‘Midwifery services are [vital] to a healthy and safe pregnancy and childbirth. Worldwide, approximately 287 000 women die every year due to pregnancy and childbirth related complications. Most of these largely preventable deaths occur in low-income countries and in poor and rural areas… Many maternal and newborn deaths can be prevented if competent midwives assist women before, during and after childbirth and are able to refer them to emergency obstetric care when severe complications arise.’

Yes, I know I have quoted that piece before, but its worth repeating.

At Shiphrah, midwives provide not only assistance during birth, but pre-natal trainingentrance and maternal accountability, which Jeri sees as vital for safe home births. And everyone on the team at Shiphrah works to ensure that the birth of each child is a safe, nurturing, and affirming event for every mother, a privilege that perhaps we, from more developed countries, take for granted.

“We could change the world with an army of midwifes,” Jeri claims, with a smile.

With thanks to the Shiphrah website for photos.

Adapted from an article first published in Inklings, February 2014.

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Mr. Ferguson: A Force in the Philippines

mills_reef_winesRobbie Ferguson moved to Manila just over a year ago, with his partner Olivia and their two kids. A stocky, blond Glaswegian with merry blue eyes, a ready grin, and an accent you can cut with a knife, I occasionally find him a little tricky to understand, but luckily the lovely Olivia makes a willing translator whenever I am baffled by his broad accent.

Born in Glasgow in 1971, Robbie made his way to Australia via Hong Kong in the early nineties.  Landing first in Perth, he eventually settled in Brisbane.  In 2010 he set up a wine distribution company ‘Don Revy’, with his three partners: Piers Kinloch, another transplanted Scot; long-time Filipino friend Jose Vega and New Zealander Rachel Norman-Mayers,  who, you may remember, first introduced us to Don Revy wines at an ANZA event at The Fort a couple of years ago.

Self-labeled ‘an international wine company that sources new world wines for emerging markets’ Don Revy began shipping wine to Manila in 2011. Don Revy is currently representing four New Zealand wineries, claiming to have sourced some of the best producers in the best wine growing regions across New Zealand from Central Otago to Hawkes Bay.  It is a portfolio of well-priced, mid-range, very drinkable New Zealand wines that included Mills Reef, Chard Farm and Jules Taylor, as well as a label they own ‘from grape to glass,’ Pebble Lane.  

Last month Robbie introduced us to a couple of new additions to the Don Revy stable: a Chilean winery, Genesis, and New Zealand’s answer to Yellow Tail wines, Squawking Magpie, with poetic labels like Stoned Crow Syrah and Sticky Beak Chardonnay. Very soon, two well-known South Australian names, Elderton and my own personal favourite Shaw & Smith will join this growing portfolio. Robbie tells me they are even planning to add spirits to the line in 2014: a Scottish malt whiskey, FTV Vodka and a German Brandy. The latter will include ten bottles of limited edition Asbach Goethe Vintage Reserve 1952 at a cost in pesos too high to mention, but Robbie assures me it’s a real treasure.

Don Revy is currently distributing its wines through leading hotels and restaurants in Manila, Cebu and Borocay, and through retail outlets Rustans, Robinsons, Landmark and Philippines Duty Free.

Robbie anticipates strong growth over the next five years, as the Filipino middle class and expat markets continue to expand. Socializing is high on the agenda of both these groups, and wine is an increasingly popular beverage in South East Asia. With an obvious gap for New Zealand wines in a market flooded with Aussie and French wines, Don Revy has moved into the neighbourhood with unquenchable enthusiasm.

Robbie seems very satisfied with how business is progressing here in the Philippines, and hopes it will also prove to be a good stepping stone into the rest of Asia. He is grateful for all the local support he has had during these first two years, particularly to local business partner Jose (Jojo) Vega, who has helped him through the maze of unfamiliar and often challenging regulatory processes which differ considerably from those in Australia.

As Robbie and Jojo work on sales, and getting to know their clients, Robbie’s partner Olivia is running the administrative side of the business with great success: ‘joyfully and with a cavalier attitude’ is how Robbie puts it, proudly.

I asked Robbie what were his favourite things about the Philippines. His answer: the Robbie & Oliviaconsistently good weather and the people he has met here. He says the welcome he and his family have received from the local community has been great.

Robbie’s top tip to anyone starting a business here in the Philippines is be adaptable. And the best piece of advice he has received came from an hotelier in Cebu who warned him he couldn’t just come and dump stock on the Philippines and then clear off.  If he wanted to be successful here, he was told, he must have a presence in the industry. And Robbie Ferguson definitely has that, in spades.

If you can’t find these wines at your favourite watering hole, contact Robbie directly on: robbie@donrevy.com

* First published in ANZA News, January 2014

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Celadon Rocks!

IMG_0689-1One of my favourite locations for dinner is the strip of restaurants on Lopez Drive, on the perimeter of Power Plant Mall opposite Rockwell Club, with its outdoor dining and a great selection of Italian, Spanish, Filipino and Japanese food. Last year Celadon arrived in the neighbourhood, and to date, it is the only exclusively Thai restaurant at Rockwell, apart from the cheap and cheerful Asian mix at Banana Leaf. Celadon isn’t large, but the décor gives a sense of palatial splendour with its golden chairs and white linen table cloths.

The name Celadon comes from a type of glaze used on porcelain or stoneware that originated in China, and its production eventually spread to Thailand.  Although it can come in a variety of colours, the name has become almost synonymous with the most popular pale jade green of Celadon crockery.

My husband and I had tried out this restaurant when it first arrived in Rockwell last year, but found it disappointing. In retrospect it was simply the lack of variety. As any Asian gourmand should remember, it is so much better to eat any Asian cuisine with all your friends, so you can taste as many dishes as possible. As a farewell dinner for our daughter and my parents, we did just that.

Celadon provides a modern take on traditional dishes, and the family leapt upon the celadon3menu with alacrity. My mother was keen to try the mangosteen curry, once we had defined a mangosteen as a cross between a lychee and a passionfruit, but unfortunately it was not available. There is a good variety of other options, however, including some delicious salads to choose from. The pomelo salad rated right up there with a similar dish (my favourite) at People’s Palace. Zesty and refreshing, this one comes with caramelized calamari, instead of prawns, and is a great appetizer to get the taste buds leaping into action.

Of course the teenagers loved the hands-on, irresistible satays and buffalo wings, which all disappeared in a heartbeat, and the not-so-traditionally-Thai Beef Rendang from Malaysia was a hit with my father.

The key to Thai food is balance, and Celadon manages to balance its dishes beautifully. Despite the presence of red chillis on the menu, denoting spicier dishes, none is painfully hot, and certainly there is no sign of the Filipino preference for sugar. Ingredients are fresh and the flavours are authentically Thai. 

Sadly there was no Singha Beer to be had that evening, a great liquid accompaniment to Thai dining, but our beer drinkers happily made do with San Miguel Light.

soupThe menu contains many popular dishes such as the classic green chicken curry, tongue tingling tom yum and the epitome of comfort food, tom ka gai, while the phad Thai wrapped in its hairnet of egg, was packed with flavour and vegetables. My own favourite, apart from the pomelo salad, was the spicy beef and basil, which I was selfishly disinterested in sharing, but which nonetheless made its way all around the table to great enthusiasm.

Others recommend the desserts, too, but we were full to the brim and preferred to complete the meal with a short walk down the road for a bottle of rosé at Barcinos.

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Vignettes of Puerto Galera

IMG_2362iA chattering, boisterous crowd gathering on a quay with bags and boxes, cases and Eskies, already sipping beers, keen, eager, ready to party, clambering aboard a large, pelican-like banca bobbing in matronly fashion on a subdued sea…

A significant birthday, celebrated in style, on a tropical island cloaked in jungle and hemmed with lilting, azure blue waters…

Tinnies, yachts, bancas and motor boats moored in the bay, set in the deep, blue-glass water like insects in amber…

A bedroom with a broad balcony, French doors opened wide to welcome the cool breeze that sails in on the calico curtains and whips them to a frenzy…

 A cocoon-like pod attached to a motorbike skimming perilously along a winding coastal road, with the breeze skipping in through the open sides, skirting shrubs and shanties and semi-naked toddlers playing in the dirt, roosters strutting their stuff in polished feathers, trucks roaring past and stirring up nose-scrunching clouds of dust…

A quayside full of cosy bars, beers, burritos, and men offering pearls, sunglasses, hats andPGbanca hands full of slightly-stale peanuts…

A straight-backed Australian with a chunky walky-talky, calmly choreographing boats and accommodation, meals and massages, sailing trips, bands and bottles, firm and efficient, like the Pied Piper of Hamlin, as we all trail cheerfully in his wake…

A flat bottomed blue-and-white service boat chugging back and forth across the bay ferrying goods and chattels, travelers and locals to their various destinations…

Another body scrub? No thanks, but a wonderful, heavy-handed massage to iron out the knots and pound me to oblivion and back, in an airy space with gabled windows beneath the roof, would be fine…

A barbecue on the patio at the yacht club, with gallon glasses of red wine or buckets of beer, ribs in slabs, and salads, chatter and laughter, a sprinkle of rain, a t-shirt stamped with a picture of the Birthday Girl, a tiny tiara to designate her Princess-For-A-Weekend status…

Brunch on a yacht, glamorous and poised, lying elegantly in designer bikini along silky cushions, crystal champagne flute in perfectly manicured hand… oops, wrong channel, wrong dream… out on a yacht, perching precariously on the brim, dodging the boom and yelping as the wind seizes the sail and tears it from the rope, clinging to a paper cup of sparkling wine (priorities, girls!) as the boat tips vertically, and garrotes us in glorious splendour on the wire railing, our legs hanging down into obstreperous waves desperate to drag us in to play…

Becalmed, calmer, bruised, but still beautiful (ha ha), chewing hungrily on a chicken wing and a chunk of baguette after a swift swim through clear, slightly bumptious sea…

Sailing past curvaceous coastline spread thickly with deep green trees, dotted with the IMG_2417.1thatched roofs of small, shady cabanas or nipa huts on the sand, a rustic wooden house, like Bunyip Bluegum’s, settled into the steep hillside above the beach…

A dining room bedecked in white linen: napkins twirled into plate-sized petals, delicate vases of fresh flowers, deep pink balloons and deeper pink sunburned cheeks, smiling broadly, eager to celebrate…

A talented, be-hatted saxophonist, serenading us with seductive notes of jazz and blues and old favourites from bygone musicals…

A beautiful Birthday Girl, glowing, glossy brown in white cotton, crowned in a twinkling tiara, twirling, tall and lithe, her fifty years sitting as lightly on her shoulders as butterflies, beaming with childlike joy and delight…

A band stridently engaging our attention with an endless array of dance songs, no time for a ballad, as we bounce and dance about for hours, grabbing the odd glass of water or bubbles as we career past the bar, hoarse with singing exuberantly to every song we ever knew…

Tired feet trudging up a stone staircase, looped with gauzy white fabric and the ubiquitous pink balloons, past a dining room bare and bereft, and a vast tarpaulin poster of the Birthday Girl, marking the various eras of her life, draped on the wall…

A soggy heap of party aftermath, recovering on carbs and coffee, recounting the exploits IMG_2394iof the night before with weary pleasure, bright and cheery little Hobbits bobbing and swirling amongst the detritus that are – or were – their parents and their parents’ friends…

A subdued return to the mainland across boisterous, churning waves…

*Photos from my One & Only, except the banca from Google Images.

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Being Australian

Australia Day1

Australia’s national Day is January 26th. It is also the same day that the First Fleet landed in Australia in 1788, holds laden with convicted felons, to establish a penal colony far from the rectitude of upper class Britons. Perhaps not the best choice, to celebrate our invasion of Aboriginal land, but there it is.

 After much debate on Sunday about our memories of childhood celebrations, it was with some relief (having none at all) that I realized that Australia Day was not pronounced a national holiday until 1994 – over two hundred years after those British settlers landed on the east coast of an apparently ‘dry and barren land’. Nor did we have Australian citizenship until 1949, and our anthem was not voted into our national repertoire until 1984. These obvious discrepancies highlight the fact that nationalism is a relatively new concept in Australia. For years we were simply distant – and distinctly less important – cousins to our more Significant Others in the Home Country.

 Cultural cringe was a term coined in the 1950s, to describe our colonial inferiority complex in the face of the older, more sophisticated cultures of our European antecedents. Henry Lawson, renowned Australian writer, recognized this phenomenon through bitter experience way back in the nineteenth century while struggling to gain a foothold in London. Sadly, this cultural cringing went hand-in-hand with obsequiousness to Britain and all things British, that, in recent generations, has been replaced by a deferential hero-worship of the United States.

 It is a sad reflection of the identity crisis from which white Australians suffered for generations; of low self-worth and self-denigration; of cultural dislocation from both our roots and our adopted country that left us with a confused sense of cultural identity. It spawned the tall poppy syndrome, where a long history of celebrating the Aussie battler or “underdog” evolved into a national sport for cutting down anyone with pretensions of grandeur. Yet, in its favour, it has created a culture more truly democratic than any other I have ever experienced; the unspoken national ethos that no Australian is better than any other. And I am proud of our image as fair-minded, hard-working and ever-so-slightly irreverent.

Back in the 1960s, Charmian Clift wrote that during years spent living abroad she kept an image of her fellow Australians as ‘frank, fearless, independent, astringent, tough, highly original,’ an image she claimed was sustained by art, literature and film. She observed, however, on returning to her homeland in 1964, that there was little sign of this idealized Aussie, and that ‘ideas seem to spring timidly from borrowed or transplanted roots.’

A generation later, as I wandered the world in my turn, I watched the gradual burgeoning of national pride amongst my fellow Aussies, as Charmian Clift’s aspirations for Australia came to life: a nation mustering its forces for spiritual change; ‘a real cultural and social flowering’ from which has stemmed ‘an Australian way of life developed naturally from its landscape, climate and its own heritage.’

Initially a somewhat self-conscious attempt to stand on our own two feet and recognize our achievements, Australia’s growing wealth, excellence on the sports field and international recognition for film, music and literary achievements have all boosted our confidence and assured us we are worthy to be included on the world stage. We may not be a weighty presence – mere teenagers amongst the Grey-Haired Eminences of Europe and Asia – but seem to be generally perceived as the nice kids on the block, and we can be proud of that too. “Australia doesn’t misbehave” Bill Bryson notes, in his book ‘Down Under’. “It doesn’t have coups, recklessly over-fish, arm disagreeable despots, grow coca in provocative quantities or throw its weight around in a brash and unseemly manner.” (That last may be changing in view of our current administration, but we can always pray for a coup.)

 So, enough introspection, let’s introduce a little “sense of ‘umour,” as Kimmy would say. A recent Facebook posting stated, amongst a long list of Australian characteristics, that you know you’re Australian when you believe the letter ‘L’ in Australia is optional, and it’s perfectly ok to call it ‘Straya’.  And, you know that it isn’t summer until the steering wheel is too hot to handle! This immediately brings to mind my cold-blooded Northern Territorian flatmate of university years explaining how, after a ‘freezing’ Adelaide winter, she would park her car in the Woollies car park in Alice for three hours, by which time it had heated up like an oven, and she would climb in and thaw out.

Like many expatriates, I have become far prouder of my Australian heritage while living abroad. Twenty five years ago, freshly arrived in London, I stubbornly refused to move into Earls Court – aka ‘Kangaroo Court’ – stating adamantly that I had not travelled all that way to hang out with loads of Aussies, for that I could have stayed at home. A quarter of a century later, we celebrated Australia Day with some of our favourite dislocated Aussies in the Philippines and a handful of sympathetic mates from the far-flung reaches of Canada, Finland, Germany, Malaysia and  America, proudly displaying our flag, our Esky* and our favourite Aussie bands. We weren’t among the gum trees, but the back yard pool summoned us for a paddle, and there was a barbecue of course, sizzling with steak and snags – although without wishing to cast nasturtiums (yes, I know its aspersions, thanks) on our kind and generous hosts, I did miss the charcoaled chops! However, the coleslaw and the spud salad put in an appearance, and we poured copious quantities of red Aussie wine down our throats, and sang ‘Waltzing Matilda,’ ‘Bound for South Australia’ and  ‘I am Australian,’  with voices loud enough to entertain the whole village.

 I love this tribute to Australia. Written by Bruce Woodley of the Seekers and Dobe Newton of The Bushwackers,  I am Australian is a popular choice as an alternative to our dry national anthem, Advance Australia Fair. It makes eyes water and skin prickle – mine, anyway – and the words describe our multi-cultural, mixed bag of a nation beautifully, although there is probably room for a verse or two about more recent immigrants than the usual cliché of convicts and diggers. But the chorus is all-inclusive, and we roared it out:

 We are one, but we are many, And from all the lands on earth we come. We share a dream and sing with one voice: I am, you are, we are Australian.

So here’s to Australia, and Australians everywhere! I hope you had a happy Australia Day.

*An Esky is an Aussie ice box for transporting beer to outdoor venues!

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Coming of Age

“Life is a game… play it with a light heart.”

IMG_2316 I often think that perfect holidays are perfectly awful to write about. When everything goes smoothly, there is no drama, no humour, no adventure to give the tale an edge. Yet, our recent trip to SW Luzon came close to perfection, and despite the lack of calamity, muddle or misfortune to  make us giggle after the event, it seems I must share it anyway.

 Our daughter turned twenty one this month, and after much debate about possible destinations, she opted to return to Stilts to celebrate. Never keen to take centre stage, our girl was perfectly happy with a family gathering. This included her grandparents who flew into Cork, Ireland twenty one years ago for her birth, and now cheerfully made the shorter trip to the Philippines armed with swimmers and sun hats instead of coats and gloves.

 The design for this dreamy resort was inspired by the pre-colonial era when the Filipinos would build their houses on stilts over the water of Balayan Bay. I had booked the largest cabin at Stilts, which sleeps eight, and lay at the end of a long wooden bridge, way out over the water. We packedIMG_2236 the car with balloons, birthday cake and bubbles and headed south. Pausing for a luxurious lunch at Antonio’s in Tagaytay, we finally reached Calatagan around five, and set ourselves up in the last hour of daylight.

All was as she remembered it, and all was good. Her grandparents were delighted with the serene simplicity of the place, and, despite a stiff breeze rattling the thatch – virtually a hurricane, we thought – we were soon relaxing on the balcony with a cup of tea and some left over Christmas cake, gloating over our view across the South China Sea. The steep drop in temperature and the fresh air was blissful, and everyone was in a good place. The boys, arriving later from Manila, met us on the beach with a bucket of beers, as the sun settled unobtrusively into the sea.

 The weekend was a perfect mix (aaaghhh! there’s that word again) of relaxation, activity and family time. We took a banca ride out beyond the reef on Saturday morning to try some snorkeling in rather choppy waters, but once beneath the waves, there was plenty to see. Although why I always get the mask that leaks or steams up, and has me struggling inelegantly to readjust everything, while being slapped in the face by obstreperous waves, is beyond my understanding. Still, we had an energetic morning and returned to the banca with buried treasure, as the kids located a large, full bottle of rum that they found balanced precariously on the back of a starfish.  I won’t dwell on the sight of us all scrambling frantically back into the boat as the waves attempted to knock us off the ladder, but needless to say, poise was decidedly lacking.

 We picnicked on a deserted beach, sadly strewn with rubbish, and this was followed by a restful afternoon of napping and massages, and a little juggling to ensure the birthday cake and decorations were delivered surreptitiously to the staff, so they could set up a surprise birthday dinner on the beach. Our girl had sussed that something was up and followed me nervously to dinner, much relieved as we dodged the restaurant and headed down to the empty beach…

 IMG_5229…to find a stage set  with lanterns and fairy lights and birthday banners and paper bags filled with flickering tea lights , around a table set with party masks, Disney Princess napkins and flowers and laden with food. Our waiter kept us irrigated with regular supplies of beer and gin, and when the time came, he expended enormous energy on lighting a plethora of birthday candles that struggled to survive in the stiff breeze.  Eventually we gave up and sang loudly at a somewhat lackluster cheesecake, bedecked in sprightly glacé cherries and mango. And anyway, the sky was awash with stars, so who needs sulky candles? The boys had brought their guitars and serenaded their sister with ballads, while their grandmother (yes, and me, I admit it) got a little leaky over such memories in the making.

 It didn’t end there: we had another two days of racing quad bikes through the scrub, imagesdrifting off for meandering beach walks and indulging in pancake-filled birthday breakfasts on our glorious deck, looking out to sea. When the low tide exposed acres of reef, we climbed down the staircase at the corner of our deck, and explored the  pools, bums up, examining and exclaiming over sea urchins, crabs, dominatrix star fish and sticky nematodes with long hydra-like tentacles for gathering food. Food and drink, giggles and games played a prominent role too…

…but somehow it paints a prettier picture to leave us lying on soft, white sand, beneath a star-freckled sky, crowing over a remarkable ring around the moon – a lunar halo – as the waves whispered to our toes.

 *With thanks to my One & Only for sharing his photography skills yet again.

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Counting My Blessings

Justin James Wright_Isla Pulo_Mary JoyWelcome 2014, and with it, the inevitable string of resolutions, diets, and dramatic changes. My own resolutions included the inevitable weight loss, more time to read and write, and, most importantly, to remember to count my blessings.

This morning I passed our beautiful blue pool, where a small, determined toddler in designer swim suit was watering the paving stones with a brightly coloured plastic watering can. Later that morning I drove past another small toddler playing on the side of the road in the back of a barrow full of rubbish bags dressed only in an over-sized, very grubby t-shirt.

Passing regularly through poorer areas of Manila keeps my life in sharp perspective. According to the BBC News, Manila has one of the largest populations of squatters in the world, living in slums ‘with no contracts, no rights, nothing.’ Rivers are clogged with the flotsam and jetsam of modern urban life and pose a serious health risk to neighbouring communities. Many of the slum areas lack an adequate water supply. Housing is makeshift and prone to collapse and flooding. Sanitation, education, health and employment are barely there.  Almost thirty per cent of the population of the Philippines currently lives below the poverty line, and nearly 80% of those live in rural areas, most of whom depend on subsistence farming and fishing for their livelihoods. Yet the population continues to grow at the speed of sound. 

So any time that I am inclined to decry the traffic, the heat, or any of the daily pinpricks that make me edgy and impatient, I try to look around me and bless my lucky stars that I landed up in my life, and not trapped in a tin shack in Tondo, with no running water, no electricity and no future.

In my final year of high school, I studied an Australian poet named Bruce Dawe. His poem, The Not So Good Earth, was a play on the novel The Good Earth, by Pearl S. Buck, which tells a tale of family life in a rural Chinese village at the turn of the twentieth century. Bruce Dawe wrote this poem in the 1960s about a family watching a news report on starving families in China, a deeply satirical poem, condemning society’s reliance on the media – even then – and how it was anaesthetizing our empathy for those caught up in global catastrophes, effectively removing us from the reality of human suffering.

Recently I met photographer Justin Wright, who introduced me to a community in the Philippines which reminded me of Dawe’s poem, in that, over fifty years on, the media is quenching our empathy for others more than ever.

Isla Pulo is a community of fishermen, charcoal burners and their families on the edge of Manila Bay. Wright came across the community on Isla Pulo while working on a flood prevention scheme on Manila Bay.  Having spent twenty years in South East Asia, fifteen of those in the Philippines, Wright has an affinity with these gentle but hardy coastal families – about one hundred of them – and obviously enjoys the time he spends amongst them.

A British expatriate with a heart, this civil engineer turned professional Justin James Wrightphotographer, Wright has produced a sensitive exhibition of this impoverished but cohesive community.

Faced with the inevitable mix of luxury living and guilt that is the dilemma of every expat in a developing country, Wright has found a creative and effective way to help those in need. With the permission of the barangay leaders, he spent months in this isolated fishing village, photographing the lives and faces of these resilient families.

Wright was invited to exhibit his efforts at the ArtistSpace of the Ayala Museum in October, and again at the Asian Development Bank in November. He has also been invited to exhibit in New York. Yet he says he has had a mixed response from the Filipinos. While many locals admire him for his exposure of an aspect of life in the Philippines usually hidden from view, a small minority, he admits, criticizes his work and appears offended by what they see as interference.

The people of Isla Pulo are not amongst his critics. They have been willing models for his photographs and the results are superb. Wright takes you to a regular poor Filipino fishing village to illustrate an attitude of strength and solidarity amid squalor. Subtle but intense, the pictures depict, with touching empathy, both the poverty and the pride of a community determined to persevere against the odds. Hence the title of the exhibition: “Resilience”.

Wright explained that he needed a theme to capture an exhibition space at the Ayala Museum, and the story of the Isla Pulo community was strong and emotive and very different from the usual post card appeal of street scenes or tropical island beaches. despite poverty, and above all, resolve to rise above and battle on.

He also had an added incentive: to bring this independent village to the attention of the outside world and provide the villagers with the support to survive. Presently they have no running water, sewage syatem or gas. Their only electricity source is a small generator shared by the whole village.

Wright and his partner Emely have introduced a feeding program, whereby they deliver an occasional breakfast to Isla Pulo of pan de sal and cauldrons of rice porridge, always gratefully received by the villagers.

The community worked together to build three classrooms for the children, and Justin James Wright_Isla Pulo_On FootWright is providing the flooring, furniture and school supplies. For Christmas, he and Emely are planning to coordinate a Christmas package for the whole village through various business contacts. They are also trying to encourage support to build a permanent bridge to the island. Currently it is only accessible by banca or on foot, along five hundred feet of brittle, and weather damaged bamboo.

Wright has done his best to put us back in touch with our emotions – and our sense of community – to see and acknowledge the strength of hope that is in all of us, to survive and adapt to the most impoverished, or most devastating circumstances.

 His exhibition came together at an extremely pertinent time, as the Philippines staggered under the weight of the devastation of Typhoon Yolanda, and is indeed a fitting tribute to the resilience of the Filipino spirit, despite a level of poverty that beggars belief for those of us lucky enough to have been born into the middle class luxury of a First World country. And a clear reminder to us all to count our blessings and appreciate all that we have: friends, family, wealth and health. It is bound to be more than most, on all counts.

*Adapted from an article written for ANZA magazine, January 2014, and with thanks to Justin Wright for allowing me to reproduce his photographs.

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Creating a Cuisine from Scratch

vegemiteCuisine.  As it is in the Philippines, so it is in Australia: difficult to define. And like the Philippines, it comes in two parts: Before and After Colonization.

 In the beginning there was a vast southern continent on which dwelt a nomadic race of hunter-gatherers who saw themselves as guardians of the land. For thousands of years they lived, undisturbed, on this immense island, with a deep awareness and understanding of their country and its produce.

 To understand the array of produce available to Aboriginal Australians, it is necessary to understand just how big a country it is. The north of Australia is tropical rainforest, its northern-most tip far closer to the equator than Manila or even Mindanao. Hobart, the southern-most city at the foot of Tasmania, dips its toes in Antarctic seas. In the south east there are many miles of alpine mountains. Sydney’s climate is sub-tropical, Adelaide and Perth are temperate and dry, hemmed in by desert and ocean, hot in summer, cold in winter and often suffering from droughts. As travel writer Bill Bryson notes, it’s the largest island in the world, the only island that is a continent and the only continent that is a country.

 Europeans arrived on the eastern Australian coast in 1788. Appearing on the newaustralianshorizon in tall ships with white sails and sporting translucent pallid white skins, they were barely noticed by the aboriginals who thought they were ghosts, but their impact on these gentle natives would be disastrous.

Those early European settlers initially struggled to survive in Australia, a continent they saw as harsh and unforgiving, and a long way from home, full of unfamiliar flora and fauna they were wary of eating. Early efforts at agriculture failed dismally, so settlers had to rely largely on the infrequent visits of ships from England. Even when the ships arrived, freshness and variety had been sacrificed to longevity, and supplies consisted largely of dried and preserved foods. Rationing soon became a heavy burden.

 A few brave souls experimented with cooking native fauna, but the majority turned bushtuckerup their noses at indigenous offerings as soon as familiar crops and animals could be effectively transplanted. Like all migrants the world over, they preferred to stick to familiar food from home, holding on to tradition more tenaciously than those left behind.

 Rations of flour and meat, sugar, tea, salt and rum continued to be the staple diet of the working classes and convicts for over a century. Australia was a ‘country pioneered on corn beef and damper’ as playwright Louis Esson described us in 1918, which led to a nation of devout meat eaters.  Eventually, British horticulturalists provided seeds for cabbage and cauliflower, rhubarb and lettuce, onions, turnips, peas and beans, oranges and lemons, domesticating the Australian countryside with a thousand-and-one introduced species, ensuring a diet of thoroughly British fare that would be the staple of settlers for the first two centuries of European habitation.

 Yet, like the Philippines, Australia is a nation of migrants. Although it began with a stolid British foundation, Australian kitchens would be influenced by German settlers in South Australia, South American produce introduced by the Spanish Galleon Trade, Irish escapees from the potato famine and Chinese gold miners.  Post World War II, all things gastronomic began to change for the better. New Medfoodwaves of immigration from a decimated Europe brought a smorgasbord of Greeks, Italians, Lebanese and Yugoslavs. The Mediterranean diet made sense in this hot southern land, and Anglo-Australians began to show an increasing interest in the culinary offerings of the ‘new Australians’ who were opening corner shops and delicatessens full of strange, exotic foods.

 Since the 1970s, greater Asian immigration has seen Australian chefs incorporating spices, coconut milk, ginger and lemongrass from India, China, Japan and Southeast Asia into their dishes. More recently, African immigrants have introduced a new edge to local cuisine. Drinking tastes, too, have changed. No longer primarily a county of tea and beer drinkers, we have grown into a nation of wine connoisseurs and coffee addicts.

 This free-spirited urge to experiment is shared by chefs and housewives, farmers, grocers and gardeners, a trait described as ‘a defining feature of Australian food culture.’

 Once we indulged in an undiluted British diet of baked meat, barbecues and stodgy, nursery puddings quite inappropriate to the climate. Today pizza and pasta, sweet and sour pork, Phad Thai and green chicken curry, fried rice, Mussuman Beef and moussaka have crept into the vernacular, albeit initially indigenized to Anglo-Australian tastes. Yet perhaps the biggest influence these new Australians had was to spread the idea of fresh, good quality ingredients. Fresh Marron Crayfishseafood, a staple of most Mediterranean diets, had been largely neglected by northern Europeans in favour of imported smoked and dried fish from Europe, despite a land girt by sea full of delicious seafood.

 I still remember a time when squid or octopus was used as bait, and fish was only served in batter with a huge pile of oil-soaked chips wrapped in newspaper. ‘Throw another prawn on the Barbie’ was, I think, an 80s development. Until then, snags (sausages) and chops ruled the roost at the backyard barbie, usually charcoaled to within an inch of disintegration. Now fresh seafood dominates, where the majority of the population live along the coast.

 Many still insinuate that our hotch-potch cuisine, created from scratch, is no cuisine at all. Yet even long established cuisines have continued to adapt under the influence of migrants and traders.  

 Over the past generation, Australians have started to shrug off a long-standing cultural cringe, and developed pride in our emerging nation. This has led to much popular and academic analysis of what makes us who we are: race, culture, language, sport and food. There has been, in the past twenty five years, a cultural and culinary awakening. Australians faced with a broad range of cuisines from around the globe, have felt no obligation to maintain past traditions, but have – according to food historian Barbara Santich – become ‘ingenious, innovative and adept at making do’.

 These days, too, creative Australian chefs are finding inspiration in their own back yard, retrospectively turning to indigenous flora and fauna in order to introduce a true-blue Aussie flavour to our hybrid cuisine.

 As we evolve, many still query the possibility of a definable Australian cuisine.BBQ Santich believes, instead, that there is a style of cooking and eating that is distinctively Australian. Adapted to the climate, dependent on top quality ingredients, and incorporating a deep attachment to eating outdoors, picnics and barbecues are as much a part of Australian food culture as pasta and parmesan to the Italians. And so many international dishes have become naturalized – indigenized – or simply accepted as part of our daily diets. Taking the best from a bowl full of national cuisines, there has long been a trend towards low-salt, low-fat, healthy cooking that is known, loosely, as Modern Australian.

 Australians, unlike the Filipinos, do not have a cuisine all their own. Its roots are not Australian but come from half way round the world and half a dozen European countries. But the words of Doreen Fernandez on indigenization is as relevant to Australia as it has been to the Filipinos. Over generations, culinary traditions, like its people, have been stirred, sifted, beaten and blended into the general cooking pot, adapting and absorbing an acceptance of each other’s characteristics and cultures to suit Australian tastes: a young, imaginative and inquisitive nation of transplanted cultures bonding on foreign soil, to form a hybrid cuisine that is still evolving.

halohalo Carlos Celdran, in his tour of Intramuros, uses the metaphor of halo halo to describe the Filipino ‘mix mix’ of races. This could also describe Australians and Australian cuisine, and illustrates how any cuisine, like any nation, is a living organism, an endless exchange of cooking methods and ingredients, ideas and imagination, that is definitively not set in aspic.

 While those early settlers clung tenaciously to what they knew, recent generations have evolved into a nation of culinary explorers. Television cooking shows have become a phenomenon in Australia: The Cook and the Chef, My Kitchen Rules, Dining Down Under, Everyday Gourmet, River Cottage, to name just a few, and iconic restaurant and TV chefs have led the way in the last 25 years, to a Modern Australian Cuisine that, like Filipino cuisine, is a creative coalescence of cultures. And, like Filipino cuisine, our cuisine also tells a story.

*Adapted from a talk delivered to students at Enderun Colleges, Manila in 2012. With thanks to Google images for the photographs.

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