
After a few days with friends in Jerez – and as I mentioned previously – I took the bus to Ronda. This trip involves some rather curvaceous roads, so I suggest you do not attempt it on a full stomach. Reversing in and out of tiny, hilltop villages, and scooting past orchards of espaliered olive trees, the bus pushed its way up from Jerez de la Frontera through the Sierra de Grazalema Natural Park for almost three hours.
I finally arrived at the bus station in Ronda on a sticky September evening. Not knowing the lie of the land – but my view from the bus suggested it would be decidedly tricky to navigate with an awkward suitcase – I gratefully caught a taxi to my accommodation. More by a stroke of good luck than by skilled planning on my part, I found myself in the centre of the old town – the Barrio de la Ciudad or Old Medina – which sits on the southern side of Ronda’s famous El Tajo gorge. There, in a lovely old Spanish hacienda, I settled into two upstairs rooms overlooking the Plaza de Sor Ángela de la Cruz Guerrero. In the courtyard below, I was thrilled to discover a small and icy plunge pool, which would prove a total godsend on the blazing hot days that followed.
Unpacked, showered, changed and refreshed, I found my way down cobbled lanes to the picturesque Plaza de Maria Auxiliadora, commonly known as Plaza del Campillo. Right in the historic heart of Ronda, this pretty little square overlooks the valley to the west of the city walls, and the Sierra de Grazalema mountains beyond. As I sipped on an oloroso sherry and nibbled on alcachofas con jamón on the terrace at Restaurante El Campillo, a lone musician played Leonard Cohen’s ‘Hallelujah’ Spanish style on his acoustic guitar only feet from my table, while the sun sank behind the mountains. And so, my enchanted sojourn in Ronda began.
Two weeks later, I went to an exhibition in another walled town, this time in Portugal. Portuguese photographer Cátia Castel-Branco was holding an exhibition entitled ‘Tempo Parao Tempo’ in Évora. The translation seemed odd: ‘time to the time’? Reading the explanation that had been painted onto the wall, I retitled it (in my head) ‘time for time.’ The title might have been poorly executed, but the explanation was exquisite, so I will include a portion of it here:
We have lost respect for time, our own and that of others. We have become accustomed to doing several things at once and, surrounded by machines that accelerate everything, we have grown accustomed to demanding that everything happen within an unrealistic time frame…
No one wants to wait.
In the Alentejo, Cátia Castel-Branco found a different relationship with time. Time to make. Time to observe. Time to wait. The willingness to stop and look allowed her to notice what would otherwise go unseen…
This is not a journey into the past, but into what persists beneath it… to invert the obvious in order to reveal what we had taken for granted…
It is a question: What remains after so much contemporary noise?
Perhaps it takes time to see it. Time for being.
Isn’t it fabulous? For those like me, who have not heard of the Alentejo region, it is a sparsely populated area in south-central Portugal that stretches from the Tagus River in the north to the Algarve. It is a region of alluvial plains, granite hills, and wild coast, olive groves, vineyards and cork oak forests, ancient walled towns and an unhurried pace of life. By a strange coincidence, I have found this corner of Portugal bears a great resemblance to Ronda, some 350 kms to the southwest, over the border into Spain.
In Ronda, I learned to take my time. I consciously lost my way among the maze of cobbled streets and alleys. I meandered through bustling town squares. I paused to gaze up at huge fortress walls or down, down, down over the precipice that guards this ancient town. Armed with a café con leche and a novel – when did I last take time to read a novel? – I sat quietly at pavement cafes and watched the world go by. I took my time and rediscovered time, absorbed it, and resisted the urge to rush about. I bought a guidebook but did not immediately dash off to tick off the town’s top sights. Instead, I pottered and dawdled. I drifted and loitered. I simply was. And slowly, the town gave up its secrets.
Ronda, one of the oldest cities in Spain, sits on a high plateau about 700m above sea level, in the hills of Andalusia. A deep canyon – El Tajo – separates the city’s new, fifteenth century town from the old town, which was built by the Moors in the eighth century, on top of a fortified Roman outpost. The Puente Nuevo, a stone bridge that spans the gorge, was completed in 1787. Now, it is a popular spot for tourists to gather and take photos, which also creates a bottleneck for local traffic. A new suspended walkway – the Camino del Desfiladero del Tajo – drops into the gorge and follows the Guadalevín river for about a kilometre. Alternatively, I spent a morning watching several brave souls swing off the bridge on a zipline that carried them over a one hundred metre drop to the Hanging Gardens of Cuenca. Early one morning, I chose a different, more sedate route to the river that took in the Arch of Felipe V – the original entry into Ronda before the Puente Nuevo was built – the old bridge of Saint Cecilia, and the 14th century Muslim bridge beside the hammam, or Arabic baths on the eastern side of the town.
These baths were built in the 13th century beside Ronda’s entrance gate, as visitors were obliged to wash thoroughly before entering the city. An introductory video explained how the process worked and then we were free to wander through the ruins. My favourite feature was the star-shaped cutouts in the domed ceilings which served three purposes: ventilation (the openings acted as natural chimneys); natural lighting; spiritual symbolism (the domed roof perforated with stars symbolizes the vault of heaven and gave bathers the illusion of relaxing under the night sky.)
For such a delightful and beautiful city, Ronda has a surprisingly gory history. In the 3rd century B.C. during the Punic Wars, the Romans fought for control of the strategic Celtic settlement of Arunda. In 711 A.D., Ronda was conquered by Moorish forces. During the siege of Ronda in 1485, King Ferdinand II recaptured the city during the Granada War, effectively ending Muslim rule. Then, in the early 19th century, Napoleon invaded the Iberian Peninsula and occupied the town of Ronda, killing thousands of locals in a matter of weeks. In 1936, the Spanish Civil War led to violent political reprisals and executions, while those who could, fled. Hemingway, in his novel “For Whom the Bell Tolls”, described the brutality of the Civil War in a fictional town believed to be Ronda. Then, of course, there is the gory tale of bullfighting at the famous 18th century bullring. Today, thank goodness, the only invasion to worry about is the tourist invasion, although the Bullring still hosts an annual bullfight, which I’m relieved to say I missed by a matter of days.
Early one evening, while considering where I would go for dinner, I was startled by the sound of trumpets beneath my window. I had got used to the regular chimes of the church next door, as my room was less than 100 metres from the Iglesia Santa Maria de la Encarnacion Mayor – a mouthful for any church, even if it is the most important in Ronda – but this was definitely more tuneful. I headed down to see what was going on, and discovered a brass band gathering in the plaza, while ahead of them, a highly decorated statue of the Virgin Mary was being carried out of the church.
I had popped into the Iglesia Mayor only the night before and watched as two florists decorated a rather sumptuous altar topped with a silver statue of Nuestra Señora de la Aurora with fresh flowers. This turned out to be not an altar but a covered platform or paso under which I now counted at least a dozen pairs of feet, while the Virgin Mary stood on top, the star turn in a religious procession of church dignitaries, costaleros (bearers), Nazarenos (members of the religious brotherhood), local singers, musicians and bands, devotees and local government officials, that was setting off to walk across town. I watched for some time, enjoying the spectacle, before edging round the back of the church for a better view from the Plaza de la Duquesa de Parcent.
Here, beside the church, I also found an interesting restaurant, Mesón El Sacristán, to which I would return later for a rather special dish of bluefin tuna tartare and avocado. As I sat there, savouring the moment, the church bells began playing incredibly wildly and enthusiastically, right above my head. Apparently, this is the traditional call to evening Mass, the bellringers seemingly going crazy for several minutes at a time just before the final daily service. Especially on a Friday, which it was.
In the meantime, as the procession made its way cautiously over cobblestones, I eventually ducked ahead, as I had booked a ticket to a flamenco show in the Casino on Plaza del Socorro. By the time I emerged, the procession had made it only as far as the famous Ronda bullring, a journey of only 650m, which had taken over two hours. They are probably still en route back to the Iglesia Mayor!
As promised, I did not try to tick all the tourist boxes while in Ronda this time, but it has left plenty still to explore when I return another time with the One & Only.

























