‘Stories begin with noticing.’ ~With apologies to John Roberts

It is early morning, and even the birds are silent. A faint breeze whispers around the tiled chimney stacks and fills the pale linen curtain like a sail. I am perched at a small, square, slatted table, on a walled balcony at the very top of the house. I am a wedge-tailed eagle on her eyrie, or Bunyip Bluegum in his treehouse among the eucalypts. From this rooftop perspective, I will try, in the manner of John Roberts to focus on my senses, starting with five things I see.
I see the gritty, white drive wending its way through fields burnt to an ash-blonde, straw-dry, fire risk and a mixed bag of raggle-taggle trees. Beyond the tree line to my left, a pink and orange orb rising swiftly above the hill, casting shadows on a craggy mountain range – the majestical Apennines – to the west. (So, I guess I’m facing South.)
A broad, green pool lies below me, lucent and still, calling to me, tempting me to don my bathers and take an early morning dip before the sun begins to glare off the water and heat the paving stones to blistering point. But I will resist and attempt to focus, to stay captive in the moment.
Through a small window behind me, framed thickly in dark wood, I have a camera-lens view across a landscape of steep but rolling hills, reminiscent of the opening scenes of Kenneth Branagh’s classic, Much Ado About Nothing. I am staying in a beautiful old Italian farmhouse atop a hill, not in Tuscany, but somewhere in the province of Terino, Abruzzo, on the Adriatic coast.
Before me, the curved terracotta tiles, ancient Roman style, hug the roof, bleached only slightly by centuries of abruzzese sun. Many are cracked and broken. I have seen several on the ground below, swept into a pile at a far corner of the building – so heaven knows if the roof will survive the autumn rains. Maybe buckets will be needed to catch the drips seeping through the ceilings.
Like John, I look at my computer screen balanced precariously on this fragile, collapsible table. The screen is gradually filling with words but not as fluently as if I had a pen and paper – a pen always seems to help my thoughts flow more fluently from imagination to page – but I can’t remember where I left it. Probably in the kitchen, down a perilous flight of stairs wither I will not venture in this half-light, for fear of tripping-and-toppling with a crash and a thump to the bottom.
Now, four things I can hear.
The distant thrum of traffic although there’s no sign of a road. There must be a motorway tucked into the valley, commuters heading at speed for Pescara or Bologna. At home, there would be no murmuration of traffic. Instead, the raucous clatter of our voluble Australian parrots heralding the new day and, if I’m lucky, the throaty, rolling gurgle of a magpie serenading the sun.
From my bird’s eye view, I hear the faint chirrup of voices from the terrace, as two of my companions head out for an early morning walk, crossing the terrace, past the pool and along the dusty drive to the road, reminiscent of that childhood picture book, Rosie’s walk: around the haystack, past the beehives, behind the shed. Hopefully, they won’t get lost today, or get eaten by a fox …
I hear the burr of some distant electric tool, and flinch at the disturbance. Is it a vacuum cleaner? A leaf blower? A saw? It’s obviously an early start to beat the heat. Our neighbour at home loves his leaf blower – luckily for us, or we would soon drown in gum leaves – but he wouldn’t start at daybreak!
The sound of church bells, surprisingly melodic, drift over the hill, calling the Catholics to a morning service. The rhythm is almost hypnotic, but there is a slightly mechanical twang – real bells or a recording? Apparently, there are three churches in the village at the bottom of the hill, with poetic names like Chiesa del Cimitero, Chiesa di Maria Santissima Regina della famiglia, Santuario di Santa Maria in Herulis.
[As John says, ‘I am no longer merely grounded in the present moment, I am inventing, extrapolating, wondering. The senses are not passive; they are gateways.’] My next gateway then, is smell.
The air is dusty but fresh, after days of stultifying heat, and the scent of rain on dusty ground is in the air, signalling the end of summer at last. Although, oddly, the sky has been swept clean of a single wisp of cloud. So, perhaps it is rather a lingering smell of smoke, and I am simply imagining that rain-on-hot-earth scent – wishful thinking?
Now, the aroma of coffee is floating up the stairs and through the window like that old Bisto add, calling the children home with the whiff of gravy. It is a familiar aroma that will wake me from dreams if my husband rises first, creeping quietly to the kitchen, surprisingly soft-footed for his height and shoe size.
I can just discern a waft of cheap bleach that has been drifting through the house since we arrived, following me along the narrow passages and up the wobbly staircase, attempting to mask the foetid stench of old drains that makes me want to hold my breath and race outside. I long, briefly, for the silky, slightly salty scent that drifts off the sea at home; a similar ancient landscape, dry and dusty, dotted with olive trees, but thousands of miles southeast of here, across sea and ocean, hills & mountains, deserts & jungle.
Two thing I can feel: a cool breath of wind sweeping across my cheeks like light kisses, dancing through wisps of hair, reminding me that I need to wash it this morning, stiff as it is from the saltwater pool into which I plunged yesterday, time and again, to clear my head, groggy from the heat.
Like Mr. Roberts, the second thing I feel is the chair beneath me. And like his, this one is not very comfortable. It is an old wooden chair, solid and well built, with a broad wooden seat, but hard and unforgiving. After only fifteen minutes – compared with his hour – I am distracted by the nagging ache in my lower back, and acknowledge my terrible posture, hunched over my computer, my shoulders in their habitual creep up to my ears, not grounding at all, John, but disturbing my solitude and my stream-of-consciousness with a niggling pain. I try to pull my shoulders down, ease my back, stir, shift position, but it all seems to get worse rather than better. Bugger it. Time to follow the scent of coffee to the kitchen…
Which leads me straight to that final step: one thing I want. Also, that final sense: taste. The answer to both is coffee. I know it won’t be in my favourite morning mug, imprinted with a Hannah Dale highland cow, which has become a ridiculous but happy ritual when I am home. And I will have to discern from the small print whether it is fresh milk or UHT, so common here in Italy, but designed to ruin my morning coffee and dispel my humour in a flash of cloying, unnatural flavour. Luckily, our English hosts must be aware of my penchant for ‘proper’ milk – or prefer it themselves – and keep us well stocked. The coffee machine had a glitch yesterday morning, which is no drama, as there are three Italian coffee pots at the back of the cupboard. These days, we usually travel with our own caffettiera, as there is rarely such a thing in the homes of friends or the Airbnbs that we frequent. Illy coffee perhaps, now I am in Italy, or something like it. Hopefully.
Perhaps I will risk the staircase to find a mug of coffee at last. Then I can carry it out to the terrace and sit by the pool, where I can sip on my bitter tongue-curling coffee, with only a dash of milk, providing the first taste sensation of the day. And I miss – for just a moment – my morning routine for making a pot of coffee: filling the lower chamber of the Mokha pot with water, just to the pressure valve; spooning the ground coffee into the basket, flattening it a little, adding half a teaspoon more, inevitably leaving a miniscule trail of fine coffee grains on the counter. As it boils on the gas stove, I heat the milk, then froth it manually, till it pours like cream, and smile to remember my father-in-law, faking horror at my inability to drink it black. Every time. For almost forty years….
*With thanks to Booking.com for the photograph.



























