History Upended

blog3A birthday. I forget which one. I was probably about ten. A card arrived from Australia with a $10 bill inside. There was a financial exchange with my father, a trip to the local bookshop, a new book: The Children of the New Forest by Frederick Marrayat.  I read it cover to cover in one sitting, and a passion for historical fiction was born.

Marryat tells the tale of the four Beverley children, orphaned during the English Civil War, who hide in the forest to escape from the evil Roundheads and their puritanical, Protestant leader, Oliver Cromwell. For three hundred pages, I joined the children, as they learned to survive in the forest. The story is set in the south-east corner of the New Forest, between Lymington and Sway, and the Beverley’s manor house was modelled, apparently, on the real-life manor of Arnewood (written without the ‘e’ in the book).

Three years ago, my younger brother and his family moved to the New Forest, just a stone’s throw from Arnewood. Having grown up with the steep, wooded hillsides and narrow hedge-rowed lanes of Kent, the New Forest came as an enormous surprise. More reminiscent of the Yorkshire Moors than my impression of South East England, I gazed in awe at its huge open skies, broad tracts of open, gorse-covered heath, wild horses, deer and cattle, and a handful of wooded areas nestling in the river valleys.

Ninety miles south west of London, the New Forest ranges across Hampshire and Wiltshire, and was designated a National Park in 2005. It covers an area of 566 square kilometres and is made up of vast tracts of heathland, regenerated woodland and valleys lined with shallow, tea-coloured rivers. Several small towns and villages are scattered through the National Park, but access roads are narrow – and scarce – and seize up with tourist cars and camper vans in the summer months.

The name New Forest seems somewhat inappropriate to our modern understanding of the term, for there are  neither miles of impenetrable  trees, malignant and creepy, nor can it honestly be called new, having been created by William the Conqueror in 1079 as a Royal Hunting Ground. With Kingly disdain, he carelessly evicted the peasants of almost forty parishes to clear the way for herds of deer and wild pigs, for the sole use of Royal hunting parties. Once deciduous woodland, it was cleared for cultivation way back in the Bronze Age, but the poor soil ensured a total lack of success for agricultural  development.

In fact, in Norman times the word ‘forest’ applied to a legal system, known as forest law, set up to protect the deer and the undergrowth they fed on. This law was hugely unpopular with the residents of the newly named nova foresta, who were suddenly forbidden to continue their traditional way of life, on pain of death or mutilation. No longer allowed access to the wild deer and pigs, they were not even permitted to gather wood for building their houses or lighting their fires on what had originally been common land. Nor were they allowed to enclose their own land, as fences disrupted the hunters. Punishment for contravening forest law was severe, and for more than a century, these laws were strictly upheld by the King’s foresters. Eventually, sometime in the thirteenth century, a new charter was written to re-establish pasturing rights to the disgruntled commoners, and the death penalty for poaching the deer was abolished.

Today, common pasturing rights are still in place, and you can see wild horses, donkeys and Shetland ponies, a wide variety of cattle, deer and even pigs grazing freely all over the New Forest. Speed limits are low throughout the National Park to prevent accidents – and bodily mutilation – as the animals wander freely through the villages, stroll along the verges and cross the roads at will. They will often gather under bridges for shade and a spot of gossiping. And they all play a part in park management, thanks to their constant grazing.

This summer we have been lucky enough to spend a fair bit of time with family in the New Forest: trudging acrossblog1 (2) the heath, thick with gorse and delving deep into the woods; picnicking by the gravel-bottomed streams; pottering wide-eyed through village art galleries; guzzling greedily on luscious cream teas; sipping cider in the local pubs; gazing adoringly at new-born foals and young, rust-coloured calves; wandering along the coast and through pretty seaside towns laden with sailing boats. Suddenly, I remembered Marryat’s book, and went searching for a replacement copy in second hand bookshops, sadly to no avail.

And then, we found ourselves in Ely, and I dropped into Oliver Cromwell’s home to hear his side of the story. An attractive, half-timbered house just up the road from Ely Cathedral, Cromwell’s family home abuts the local parish church of St Mary’s. The portrait of the sometime Lord Protector of England shows a doe-eyed man the spitting image of Alan Rickman, with a reputation as infamous as Rickman’s alter ego, Severus Snape.

As I explored the old house, now an inter-active museum, I learned a lot more about this much-maligned British Head of State. Often remembered as a traitor, Oliver Cromwell led armed forces against King Charles I, and would eventually oversea his beheading. Yet, as a Parliamentary soldier, he was apparently one of the greatest military leaders England has ever known.

Life was a struggle after Cromwell’s father died, when Oliver was only sixteen. Some years later, however, he inherited the house in Ely and considerable lands. He moved his family of nine children across the county and became a respected member of parliament. When King Charles, a devout believer in   in the divine right of kings, began to take the law into his own hands, defying Parliament at every turn, and trying to convert the country back to Catholicism, the Protestant Cromwell found himself leading the opposition and openly criticizing the King.

Civil War broke out in 1642. Cromwell was among many to take arms against the king. The War would continue for eight years, and shook the country to its roots. In 1645, a national army was created. As second in command, Oliver Cromwell led the New Model Army to victory time and time again. After the King’s execution, he was installed as Lord Protector and ruled as “King in all but name.” His supporters say he kept a firm hand on the tiller and restored peace to England long before his death in 1658. Nonetheless, his name was mud when Charles II returned to England and the throne, and set about his enemies with a vengeance.

Blog2So, was he the traitorous rebel that Marryat described in my childhood novel, or was he in fact a national hero? A matter of perspective, perhaps, but at least I now have a more objective view. And Ely also provided some pretty parks and gardens, and a stunning cathedral. Here Shakespeare had taken over from God the night we arrived, with more juicy tales of Royal intrigue in a production of the black comedy, Richard III.

We arrived too late for a ticket, but not to worry – it was a perfect evening for lounging outside the Cutter Inn, where we could admire a flotilla of canal boats moored along the riverbank and overindulge in steak and kidney pie. We stayed overnight on the outskirts of town, in a cosy B&B filled with a cornucopia of Victorian cranberry glass, and a fecundity of photo frames and frills.  Hardly a reflection of a dour local hero accused of banishing the fripperies and furbelows of Christmas!

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Wine Song

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Land of fairy tale beauty, land of the noble Riesling.
Rotund, juicy fruits of a hand-picked harvest
stemming from a soil rich in time and tradition
The chant of an enduring, intoxicating desire that spirals down the centuries…

A deep, broad river of crazy, curling corkscrews
sweeps through the valley, from southern mountains to northern seas;
An exalted river teeming with bosomy barges
and layered river boats laden with tourists.

Half-timbered mediaeval houses
huddle together on cobbled squares,
their old, arthritic walls bending and bowing.
Spindle-thin spires snag the woolly clouds,

Castle ruins perch eagle-high on rocky outcrops
shouldering the weight of history like Atlas.
Tonsured hilltops, wreathed in verdant woodland
approached by narrow lanes that zigzag up the bluff.

Tenacious vines, leafy and lush,
Are laced like corn-row braids,
taut, tight, tidy
up treacherous, majestical, manicured slopes.

Burrowing underground,
like Smaug beneath the mountain,
dank tunnels are lined with the elixir of life,
secreted in oak and and glass and steel:

the crisply vivacious, ethereal Riesling,
of floral notes and zesty palate;
bright, blushing bubbles, courtly crémants
for the most elegant occasions.

a sprinkle of spice, a smidgeon of citrus,
a soupçon of apricot, a pinch of peach and pear
a hint of almond, an aroma of apple
a quixotic, exotic curlicue of quince…

Boutique wineries, masters of the Moselle Valley,
harmonize bouquet and flavour,
terroir and vintage in a bottle…
weaving a spell, orchestrating a symphony.

 

*With thanks to Google Images for the pretty picture!

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North Yorkshire: then and now

IMG_1093Once upon a time, my One and Only set out to walk the Pennine Way. This is a challenging, long-distance track that lumbers painfully up the spine of England from Edale, in Derbyshire’s Peak District, north through the Yorkshire Dales and Northumberland to finish, muddy and weary, just across the Scottish border.

It was a tough, exhausting slog, and an adventure from which I was more than happy to abscond. Yet, two weeks later he bounced home again, like Tigger, with a new mission. This time I should come with him. He had found another long-distance trail: Wainwright’s Coast to Coast. This path would take us across the north of England, from the Irish Sea that pummels the coast of Cumbria, to the North Sea that bludgeons the Yorkshire beaches, traversing many of the glories of the Lake District, the Yorkshire Dales and Moors en route.

Alfred Wainwright first published his pocket-sized, hand-written book in 1973, just a year after he had walked the route himself. It has been updated at least twice since then, but we travelled, in eons past, with the original version. Dedicated to ‘the second person (unidentifiable as yet) to walk from St. Bee’s Head to Robin Hood’s Bay,’ the book simply connects the public walking tracks in ‘an approximate beeline’ from west to east. While Wainwright firmly states in his introduction that ‘this is in no sense an official route such as the Pennine Way,’ in the intervening decades, his particular trail has become sacrosanct for the flocks of keen, ambitious, long-distance walkers who have traipsed across the country in his wake.

I was dubious about such a venture, but after I was promised the unheard of luxury of B&B accommodation instead of the requisite two man tent, I was sold. A real bed to sleep in and a full English breakfast to start the day? A pub meal at night and the possibility of a hot bath to soothe aching bones? Done.

I noted in my journal ((back in the days when I kept one), that it was hard not to look a little smug as we trudged blithely through the London Underground during the morning rush hour. Decked out in our hiking boots and lugging unwieldy rucksacks, we wedged ourselves in among the pristine suits and the polished shoes, ignoring pursed lips, tutting sounds and raised eyebrows. I couldn’t have cared less for their disapprobation. After several months of suffocating, self-flagellating, insecurity working in a tightly knit and xenophobic London Publishing House, I was euphoric to be fleeing the city, in search of adventure.

While my journal hardly makes scintillating reading, it was a lovely reminder of what we achieved over the followingIMG_1086 fortnight. By the time we had crossed the country, we had acquired a battalion of blisters and lost all interest in any further carbohydrate-heavy pub meals, or full English breakfasts. But we had delighted in the scenery, the fresh air, the birds, beasts and wild flowers, and the quirky characters we had met along the way.

Last month we found ourselves back at the eastern end of the walk, in a small village we had passed through twenty-five years before, on the penultimate day of the Coast to Coast, which had seen us trudging nineteen miles along a disused railway track from Clay Bank Top.

We tottered into town after a full day on the moors, during which, apparently, we had got quite giddy over the panorama across miles and miles of moorland. ‘Heather, old and new, dead, burned, interminable,’ I wrote then. When we had finally wended our way down from the ridge to the village, we found a slice of heaven in the form of a high-ceilinged blue and white bedroom in an old farmhouse, with a view across the valley to die for.

Wainwright describes Glaisdale as ‘not in itself pretty… but its setting is delightful [and] luxuriantly wooded.’ Today it is much the same.

IMG_1095This time, we were again equipped with hiking boots, but we also had a car, which allowed for a different level of exploring. Courtesy of my dear sister-in-law (my unofficial travel agent), we were back in Glaisdale, staying in converted stables overlooking another glorious green valley.  As we drove into the farmyard, we were welcomed by a strident and extremely cocky California Grey rooster, who pranced about the farm yard, regaling us with fulsome tales of his nobility. In the shadows, his two dowdy wives fluffed about nervously, shepherding their half-grown chicks out of sight.

Glaisdale, once a small farming community, expanded during the 19th century, when iron ore was discovered in the surrounding hills. At the foot of the hill is the River Esk and a pretty stone bridge built by a local farmer in memory of his wife. The village shambles up a  steep hill from the railway station, and the views get bigger and better as you climb.

One fine evening – I do love the long summer days in England – we found our way to the moors and along Glaisdale Rigg. We walked through fields hedged with grey stone walls. We chatted with the curly-horned, black-faced sheep, some of whom had wrapped themselves up in ribbons of green tendrils as if for a party. We watched carefully for skylarks and curlews on the tops as we trudged past heather and fern. The sense of space up there is awesome, especially for a couple of Aussies used to more elbow room than England commonly has to offer.  This stretch of wild, open moorland is encompassed by the Yorkshire Dales National Park, over five hundred square miles of moors, valleys, hills and villages.

Many of the place names we came across in North Yorkshire were eye-catching and imaginative, and often inclined to make us giggle: Crunkly Ghyll, Fryup, Fangdale Beck and Hutton-le-Hole, to name but a few. And then there was the aptly christened Limber Hill that winds steeply, almost vertically, up from the Esk.

We walked a lot that week, but we also drove often to the coast, where we found surprising stretches of sand and some brave young surfers edging tentatively into the steely grey waves of the North Sea. Quaint fishing villages spill down the cliffs to deep harbours.

We came across one such town by chance, after missing the Sainsbury’s at Whitby, and headed back the next day for a better look. We arrived in the rain, and like all good English people, we parked in the clifftop carpark and ate our picnic lunch in the car, before venturing down the precipitous cobbled street, slick with rain, into the town proper. IMG_1099Living here would certainly keep you fit, we thought. The terraced houses that clamber down the hill to the quay are pocket-sized, slender and tall, and many have been converted into holiday homes. Every rocky ledge or outcrop has been transformed into a modest patio or tiny terrace.

Staithes, once a thriving fishing port, has now become a miniscule Mecca for local artists. Kempt fishing boats, or ‘cobles,’ lay on tidal sands within the harbour, and feature in many of the paintings on display in the local art galleries. Staithes also lays claim to our own Captain James Cook, who lived there for a year or so as a grocer’s apprentice. Then, having fallen in love with the sea, he moved south to Whitby and joined the Royal Navy. Despite this somewhat tenuous and momentary relationship with Staithes, Captain Cook now has a pub and a local cottage named in his honour.

We resisted the temptation to fill our backpacks with artwork, before clambering back up the hill to the car, promising ourselves a pub and a cider if we made it to the top. Glaisdale once boasted three pubs. In recent years, these have diminished to only one, and that one did not come highly recommended by our host. Instead, returning through winding back lanes from the coast, we dropped into the local pub in a neighbouring village: The Board Inn at Lealholme. This old staging inn squats beside the River Esk. Opposite, on the village green, the locals play quoits. We would happily have settled in for the evening, watching the river from the terrace, like Ratty and Moley, and listening to ‘the sound of the wind in the reeds and willows.’  But the pub had been requisitioned by local mourners for a wake, so, after a quick cider, we headed home to drink a glass of wine less guiltily by the pond at Red House Farm.

*Photos, as always, gratefully borrowed from the camera of the One & Only!

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Rome: a City of Echoes, Illusions and Yearning…

Rome6

… so says Giotto di Bondone, Renaissance painter. It was the middle of June. We were in Rome to celebrate a significant double birthday that suddenly felt, joyfully, incredibly insignificant among an overwhelming density of history and antiquities.

Rome is a gluttony of crumbling arches drenched in sunshine as thick and viscous as olive oil, and every piazza is sizzling with tourists. A scrum of coaches advances up the Viale Aventino, disgorging multitudes into the piazza before the Coliseum, as in Roman times when as many as 80,000 spectators might descend on the arena to watch a smorgasbord of gruesome blood sports involving gladiators and wild animals.   Across the city, the hot and stuffy corridors of the Vatican museum swarm with bodies, crawling slowly but implacably towards the Sistine Chapel, like worker bees towards their queen.

We walk up the hill to the Parco del Colle Oppio, away from the dense hoards mobbing the Coliseum, the Forum and the splendid Vittoriano, known locally as the wedding cake. Like London, Rome has many parks, but these Roman parks are not burnished in green, lush and fecund, but parched, droughty and dusty, reminding me of a sun-bleached, South Australian summer. Every blade of grass has been burnt to a yellowed crisp. Umbrella pines are espaliered onto a fierce blue sky, providing scant shade. Pink and white oleander, that venomous evergreen with spiked-tongue leaves, cluster together like gossiping schoolgirls.

Everywhere, pavements are awash with tiny tables, precariously balanced and bedecked in white linen, to tempt the tourists to relax for a quiet moment or two in the shade, with a bowl of pasta and a glass of vino rosso. Everywhere, ancient buildings and monuments are modestly swathed in scaffolding, suggesting never-ending repairs and renovations. Everywhere, marble fountains and statues scream for the hedonistic gush of a high-pressure hose to rid their once opulent lustre of the dull, debauched, ash-grey coating of pollution.

And yet, despite the crush, the prices, the enervating heat, Rome continues to weave a magic that few can resist.

I love to be of the city, not just in it. So, renouncing hotel chains and room service, we have booked an apartment near the termini. Heaving our suitcases off the train, we stagger over wheel-snapping cobblestones while dodging the surging flow of pedestrians, trams, cars and buses, to reach a thick wooden door and three flights of slick and slippery marble stairs. Up, up, up to an airy apartment with lofty ceilings, narrow, shuttered windows and blessed air-conditioning. Here we find a red Smeg fridge, which we fill promptly with beer and bubbles, cheeses and cold chicken, San Pellegrino and salamis.

Leaning out of the window we spy Il Papa’s favourite Basilica, Santa Maria Maggiore, with its Guido Reni frescoes, Rome3 (2)mosaics ancient and modern, and the requisite Bernini statue. It’s our first night in town, and we watch from on high, with much interest, the fuss and activity at the end of the road. Later, we learn that His Holiness had dropped into the neighbourhood to say Sunday night mass.

Beyond the Basilica, down a tree lined road, we descend most evenings upon a cosy restaurant on a leafy square: ‘Tempio di Mecenate’ with its forno a legna (wood oven) and an array of tasty pasta sauces. While our attempts to speak Italian go largely ignored, the One & Only’s Italian name attracts the attention – and the lasting devotion – of the waiter Georgio, even though the One & Only’s Italian is almost non-existent. But that’s OK, the One & Only blithely reassures my poor, disgruntled friend (who has devoted months to learning the lingo) she will be just as easily understood if she simply throws her arms about.

Italian is such a histrionic language.

We walk everywhere. Turning down a narrow lane full of souvenirs and gelati, we emerge in front of the Fontana di Trevi, with its throng of selfie-obsessed young tourists who will only ever see this masterpiece of sculpture on their iPhone screens. We stroll along the River Tiber, channelled between high stone walls and huge leafy trees, flowing ceaselessly around the Isola Tiberina, where wood carvers arrange South American nativities on the balustrades of the Ponte Fabricio.

Near the Spanish Steps, we duck into a wayside church and discover, to our surprise, that it is an Anglican church,  the Church of All Saints. Empty of tourists, serene and cool, there is a captivating series of stained glass windows depicting all the saints to whom the church is dedicated.  There is a gentle simplicity not common in Rome where more is invariably more in the 17th century Roman Catholic churches, super-sized and excessively decorated in gold and marble to counteract the Reformation.  We wander through the calm, warm air and examine the assortment of elegant, stained glass saints and the staid memorials to English expatriates.

Rome5 (2)Early one morning, beating the heat, we gather on the steps of Santa Maria delle Popolo for the Angels and Demons tour.  There we meet a well-informed, engaging Australian guide, who debunks some of the fantasy, but assures us there is enough fact entwined in the tale to keep us goggle-eyed. She also invents the word volumptuous, which I love and now plan to use regularly. If you have read the book – even if you have only seen the movie – this is a great tour. Much to my relief, we are bussed between the various destinations. Well, it is 32 degrees and the tour, like the book, is a madcap race back and forth across the city: from the Pantheon, home of the world’s largest concrete dome and Raphaelli’s tomb to the myriad putti angels in Saint Marks Square; from the church of Santa Maria Della Vittoria to Bernini’s Fontana Dei Quattro Fiumi and, finally, to the Castel Sant’Angelo, originally Hadrian’s Tomb that provides a fabulous panorama over the city from the battlements. After a long chat with a seagull posing for photos on the parapet, we wander off to collapse for lunch at one of the plethora of pizzerias tucked down the narrow, cobbled alleys that wind around the Piazza Navona.

On yet another molten morning, we find a light, bright air-conditioned coffee shop full of colourful finger paintings, opposite the Circus Maximus. Sadly, the market we came searching for is temporarily closed, but the coffee is good and the paintings are fun and modern after our undiluted immersion in antiquity.

I was daunted at the prospect of a five-hour tour of the Vatican museum, but in the end, I am utterly dazzled and bewitched by the paintings, sculptures, relics and architecture; this mountain of treasures as endless, as priceless as Smaug’s. It is an exquisite cornucopia of all the super star artists. architects and sculptors of Renaissance Rome that makes your mouth water and your feet forget their blisters: Raphael, Bernini and Boticelli. Da Vinci and Michelangelo. Our guide is a flamboyant, enthusiastic Roman woman with a PhD in art history and a terrific sense of humour, who fills us with apocryphal tales of the live and times of the various artists, then takes us off the beaten track to show us an amazing staircase designed by Bramante.  Built in 1505, it is a stairless staircase that rises up to the Belvedere Palace, to the pope’s private apartments, allowing him to remain in his carriage all the way to the front door – and providing him with wonderful views of the city en route.

And thus we spent a whole week swinging from the sublime to the prosaic and back again. We have loved every minute, evening finding time for the odd siesta. And we will return, for as Charles Dickens once said, in Rome there is “a history in every stone that strews the ground,” so there is still plenty more to explore… and plenty more to eat.

* And, as always, the photography is care of the One & Only.

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The Allure of Bruges

In the market-place of Bruges stands the belfry old and brown;
Thrice consumed and thrice rebuilded, still it watches o’er the town…
Not a sound rose from the city at that early morning hour,
But I heard a heart of iron beating in the ancient tower.
From their nests beneath the rafters sang the swallows wild and high;
And the world, beneath me sleeping, seemed more distant than the sky.
Then most musical and solemn, bringing back the olden times,
With their strange, unearthly changes rang the melancholy chimes,
Like the psalms from some old cloister, when the nuns sing in the choir;
And the great bell tolled among them, like the chanting of a friar.
~ Henry Wadsworth Longfellow

IMG_1768If you are looking for a comely city in which to wander, then I would like to recommend Bruges, or Brugge, in the northwest corner of Belgium.  Last month we drove across from Luxembourg to meet up with old friends there, for a weekend, and we were utterly delighted with this charming little city.

Many years ago, in early December, the One & Only and I popped over to Bruges from the UK for a romantic weekend break. The city square was clotted with Christmas stalls selling mulled wine, handcrafted Christmas decorations and Belgian chocolates. The air was crisp, almost brittle, and I remember taking a boat trip on the canal that turned my legs into two frozen tree stumps. By the time I tried to clamber out of the boat, my limbs wouldn’t function, and I was convinced I had frost bite. I staggered in geriatric fashion across a cobbled square, on the arm of my One & Only, to a cosy wine bar, where we thawed out over a bottle of warm white port.

This time, the sky was a deep, uplifting blue, the trees were blooming with verdant exuberance, and the sun was toasty warm on our arms and faces. It felt like a different city altogether.

Driving from Luxembourg, we were gobsmacked by the glorious architecture in the centre of Bruges. Luxembourg unarguably has its beauty spots. The old mediaeval town is lovely, with its Baroque ducal palace as the centrepiece. Yet beyond the UNESCO Heritage fortifications and a few elegant church spires, Luxembourg architecture becomes largely practical, pragmatic, functional, serviceable. Houses and municipal buildings are often boxy, pebble-dashed and lacking character. The Kirchberg Plateau, once covered in fields and woodland, was transformed in the 1960s. Today it is home to one of the three official capitals of the European Union and the seat of the European Court of Justice, and the plateau is covered in vast, almost Communist style office blocks; the main thoroughfare broad, straight and unromantic framed by empty, concrete plazas, and a dearth of trees.

Bruges – also a UNESCO World Heritage Site and approximately the same size as Luxembourg – is, in comparison, dulcet, leafy, enchanting. It is like walking through a fairy tale.IMG_1749 The picturesque architecture makes your heart melt, and the winding, cobbled streets and hidden squares are chock-a-block with restaurant tables donned in white linen or red and white checked table cloths. Church spires and towers aspire to tickle the clouds, while market stalls clamber for space on the pavements. One craft market has even taken over the old fish market with its broad stone counters. The architecture – traditional Flemish – is reminiscent of Amsterdam, with its tall, narrow buildings, stepped gables and steep, peaked roofs lining canals stippled with swans. Pretty houses lean over the edge of the canals, like Narcissus, to admire their own alluring reflections in the water. My friend and I claimed the loveliest for ourselves, and dreamed of one day being neighbours in various wisteria-clad stone houses with their small, neat, walled gardens.

Strategically situated at the crossroads of north and south trade routes, Bruges became a wealthy trading centre from the 12th to the 15th centuries renowned for its Portuguese spices, British and Castilian wool, glorious weaving and successful banks. Unfortunately, natural silting in the river brought an end to the city’s prominence as a trading port in the 15th century, and its prime position was usurped by Antwerp. It sunk into insignificance until the second half of the nineteenth century, when appreciative British and French visitors began to flock to this bewitching city.

Fortunately, Bruges suffered almost no damage during either of the world wars, and in the 1960s, the mediaeval city centre was overhauled, experiencing a renaissance that brought a surge of tourists that would increase significantly over the next fifty years.

Despite the crush of early summer tourists, the city is calm and peaceful: canals encircle the city like a giant moat, fringed in lush trees and gardens. The restaurants fill quickly at meal times, but we can still garner a table without too much effort when we get hungry. Everyone serves mussels (the city’s favourite dish?) and while the food is not spectacular, for a town dominated by the ever-flighty tourist trade, it’s tasty and generous. When we tired a little of mussels, we even found an excellent Thai restaurant! The town, heavily reliant on tourism, somehow manages the annual influx better than most. Our friends are staying in a terribly posh hotel and we gawp at its glamour. The Duke’s Palace is a 15th-century palace with lavish rooms, stained glass and fairy tale turrets tucked away off Noordzandstraat, one of the main shopping streets. We found a quaint, and slightly cheaper little spot just around the corner on Kopstraat, where we received a warm and wonderful welcome from the Dutch manager. The Grand Hotel Sablon is more down-to-earth than its title would suggest, with high ceilings and a homely, shabby-chic touch to its décor. It also served one of the best breakfasts I have ever wolfed down. Both hotels were right in the heart of the city, a mere skip and a jump from the main square, the cafes, museums, shops and galleries.

IMG_1769As we only had a couple of days, we generally avoided the tourist highlights, preferring to meander through the narrow back streets, admiring the gorgeous buildings, drifting along the canals, nibbling the odd chocolate and getting comfortable with the place. Spiralling out to the edge of town, we found four eighteenth century windmills (once twenty-seven) standing guard like blousy sentinels. They have been carefully restored, one apparently is now a museum. On Sunday morning we got up and out early, and strolled to the canal, through  Smedenpoort, one of the original 14th century city gates, and along the banks of the canal that wraps around the city. On the way, we pointed out a profusion of stepped roof lines, wisteria dripping in grape-like profusion over stone walls, little motorboats ducking beneath the low-slung, hump-backed bridges, an enclave of swans snuggling on the river banks.

A three-arched, hump-backed bridge led us through a narrow, heavy wooden gate into the grounds of the beguinage, a Benedictine convent that was built for a community of pious women in 1244. We found ourselves in a quiet courtyard filled with the last of the spring daffodils, and surrounded by neat white houses. It seemed to embody the tranquillity, the serenity that overlays the entire city.

And as in the poem, our days were marked by the stolid, steady bells of Belfort, a 13th-century belfry with a 47-bell carillon and 83 metre tall tower in Markt square. Ringing out on the hour, every hour, the bells will apparently warn of fire or enemies approaching. Truly, a ‘strange, unearthly sound,’ yet somehow calling you out, irresistibly, to explore this delicious city.

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A Classic London Market

London has a veritable cornucopia of markets: from Camden to Covent Garden, Brick Lane to Brixton, Spitalfields to Nottinghill and Petticoat Lane, these popular markets attract shoppers from all over the world. Last Christmas, staying downstream from the Tower of London, we uncovered another little gem of a market. And given the publicity it has sadly received this week, today seemed a particularly good time to celebrate its historical importance and its infinite attractions. 

bisto kidsBorough Market is tucked under the railway arches beside Southwark Cathedral, only a stone’s throw from the Shard and London Bridge station.  We wandered past one nippy December morning, to be greeted by the delicious aroma of mulled wine simmering away in a huge cauldron. Moments later our noses were assailed by the glorious fragrance of Spanish meatballs cooking gently beside a vast pan of seafood paella. We were like the Bisto Kids, eyes closed blissfully, following the mouth-watering odour of a home cooked roast dinner, despite a huge pancake breakfast only an hour before, just around the corner.

Resisting temptation, but barely, we sauntered into the depths of the market, past stalls selling piping hot bread, myriad cheeses, charcuterie and artisan chocolates. We chatted with a friendly stall holder who tempted us to try some salami and fresh Italian cheeses. We found barrels of olives and shelves teeming with olive oils. There was produce from Chile, Ethiopia, Austria and Granada, and street food from India, Thailand, Egypt and the Eastern Mediterranean. Not to mention all the traditional English pork pies and Cumbrian sausages. And over the Christmas holidays, we wandered back again and again to stock up on fresh vegetables, fruit, wines and cheeses and soak up the cheerful atmosphere.

The clock ticked on, until I was there again, on an unexpectedly mild day in March, to find that the cauldron of mulled wine had been joined by tall jugs of Pimms, eagerly heralding in the Summer. Wishful thinking, I remember thinking at the time. But the arrival of summer is inevitable, I guess, albeit a microscopic beacon in the distance. So there I perched on a tiny bar stool against the church railings, watching the crowds ebb and flow, and catching up with a long lost friend over plastic cups of Pimms and spicy, Spanish meatballs.

Back in the days when Vikings roamed the sea and regularly came pillaging and plundering in Britain, Southwark was already a mighty market town on the southern side of London Bridge – the only bridge into the City of London, from the ports on the south coast. Reading the history of Borough Market on its website, it sounds like Southwark and the City spent centuries squabbling like children over trading rights and traffic.

Eventually, Edward VI stopped the brawling by simply selling Southwark to the City. The market continued to thrive, until it was razed to the ground by fire in 1676. Naturally, it reconvened – in the middle of the main road. Surprisingly, this did not prove popular with Parliament,  which promptly passed an Act declaring it would have to cease trading within the year.

Local traders refused to take this lying down, and petitioned parliament for a new market place off the High street. Recognizing a possible compromise, a second Act was passed, declaring that the parishioners of St Saviour’s were welcome to acquire land away from the main road on which to re-establish their market for perpetuity. By 1756, sufficient funds had been raised to establish the market to the west of Southwark High street.

During the 19th century, south London developed rapidly, Borough market expanded, and Britain became mad for railways. A viaduct was built to carry the trains over the heads of traders. This did not greatly bother their customers, however, as the filth of smoke and soot was outweighed by the market’s increased accessibility. It soon became a wholesale hub, and thus it would remain until the 1970s, when the opening of the new Covent Garden market at Vauxhall and the relentless growth of modern supermarkets brought a sudden, sad end to this ancient market.

Yet Borough Market would be reborn only a generation later, as food fairs and gourmet food products became all theblogbm rage in the 1990s. Gradually, European traders swelled the ranks of local artisans, and Borough Market expanded from a monthly to a weekly affair. Today, it has evolved to such an extent, that it is open six days a week and there is barely room to move between the stalls at lunchtime, as local workers gravitate to the multitude of fascinating and tasty food stalls for lunch.

Cooking demonstrations, pop up restaurants, pod casts, food related debates, specialist stalls… Borough Market is a daily hive of activity, a forum for every aspiring Foodie to gather in. It’s enough to make me move to London!

* In remembrance of those unfortunate few who also loved spending time at Borough Market, but will not pass this way again. 

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Sunday Morning on the Broads

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A lazy long weekend, a boat, a bag of snacks, and hot, hot sun.
Marbled water strung with pearly bubbles.
Branches dipping low to sip at the rippled wake from passing boats.
Boat houses, thatched and neatly groomed, cluster on manicured lawns,
where “Don’t throw stones at this sign” is a warning too tempting to resist.
A flotilla of motor boats in single file chug gently past
the ‘Hunki Dori,’ ‘Too Puggled,’ ‘White Champagne’ and ‘Tarkatoo,’
Make-it-happen’ and ‘Just-the-biz.’
Picnickers roast gently under a denim-blue, stone-washed sky.
Gnarly branches raise alligator noses from the dimpled shallows.
Gluttonous Greylag geese snuffle for scraps like scavenging beagles.
Willow and water lily, beech and blackberry, hawthorn, oak, and nettles
wrangle and rummage for elbow room on crowded banks.
Feather-topped reeds scribble love letters to fish.
A black-headed gull glides over the treetops with bent wing tips,
while upended swans bare frilly bottoms to the sky.
A lone duck bobs, serenely unperturbed, on the rippled surface of the river,
as a solitary bumble bee twizzles busily overhead.
A gaggle of mocha-brown geese gather for a goosey Glastonbury,
herding scrumptiously soft and fluffy goslings
past the canvas shrouds of a riverside campsite.
Marsh marigolds and yellow flags, pale pink dog roses and bridal white cow parsley
fleck the dense and verdant banks with colour.
A dinky marina filled, like a cocktail glass, with swizzle stick masts.
The cloying tang of petrol perpetually clotting our noses.
A leggy, elegant crane swoops swiftly through an obstacle course of
luxury-launches-glossy-yachts-pedestrian-canoes-plastic-kayaks
and puttputtpootling two-stroke-motor-boats,
while waterlogged ducks bounce between them like feathery pinballs.
A dozing swan unwinds a serpentine neck and ruffles affronted feathers,
stares snootily down his beak and tuts beneath his breath
at the endless stream of waterborne vessels
clogging his river and disturbing his dreams.
An ice cream van, in boat form,
ladles out flake cones to booted and be-hatted riverbank hikers.
An affectionate breeze wraps itself softly
around my arms and waist like a mohair blanket,
as sheep-ish clouds blot the open and expansive sky.
The persistent drum-drum-drumming throb of the two-stroke engine
drowns out all chance of idle chatter,
until we reach the dock and disembark to humming silence.

 

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A Fairy Tale Chateau

IMG_8474 (2)After two days of summer heat and glorious sunshine, Luxembourg has returned to winter drizzle and scuppered any thoughts of an expedition into the countryside. I had forgotten the unpredictability of European weather after years in the Philippines. Were the skies forever blue there, or am I already glamourizing the memories? Still, the rain provides a good opportunity to sit in front of my computer, after a long break from my blog, and attempt to capture some of my adventures and expeditions over the past weeks.

Easter was a wonderful, fun-filled week, as family arrived from England. We spent a couple of days showing off the highlights of Luxembourg City before venturing further afield to explore along the Moselle and hunt for a chateau or two.

According to several websites, Luxembourg has a veritable galaxy of chateaux to visit; over one hundred they say. A closer look at the list, however, drew a slightly different picture.  Of those that weren’t in ruins (and many were) a lot of the local castles were privately owned or had been converted into municipal buildings or hotels. Very few, it seemed, were open to the public. Luckily, we quickly located the jewel in the crown, and, even better, less than an hour’s drive from home.

Vianden Castle was built between the eleventh and fourteenth centuries on the foundations of a Roman ‘castellum,’ a blend of Romanesque and Gothic architecture. Vianden was originally the seat of the highly influential Counts of Vianden, who had connections with both the Royal Family of France and the German Imperial Court, and who sought to rival the Court of Luxembourg.  During this time the town flourished, renowned for its skilled craftsmen: tanners, drapers, weavers, barrel makers, masons, locksmiths and goldsmiths. By the nineteenth century, however, the castle had fallen into disrepair, damaged by both fire and earthquake. It was then bought by a local merchant, who dismantled it and sold it off piecemeal. In much the same way, the surrounding countryside was surrendered to the Prussians at the Congress of Vienna in 1815.

Today, however, Vianden claims to be one of the most significant castles in Europe, thanks to the inspiration of the Grand Duke of Luxembourg and the mammoth efforts of the State to restore it to its former glory in the 1970s.

Driving in over the ridge from Diekirch, we gasped at our first view of this impressive chateau, looming above the mediaeval town like an eagle in its eerie, a hundred metres above the River Our. It is a steep climb to the entrance gate of the castle, but the views over the valley alone are worth the effort. And the chateau is beautiful, despite the glaringly awkward juxtaposition of mediaeval walls and starkly modern canteen in the central courtyard.

To follow the self-guided trail through the chateau is to follow its historical timeline, from its Roman foundations to its Gothic rooftops. The twelfth century chapel is a double oratory: two separate, octagonal floors with a communication shaft through the centre, so the towns people could hear the services from the vault below, while the nobles sat overhead. The guide book describes this upper chapel as the Rhenish (Rhineland) Romanesque, that is reminiscent of the early Christian basilicas we found in Turkey with its semi-circular arches, small paired windows, and groined vaulted ceilings.

The mediaeval kitchens were also fascinating, with a plethora of fourteenth century kitchen appliances on display: impossibly heavy iron cauldrons; a vast fireplace strung with long iron spits for roasting entire animals; a wooden case that would once have contained some wildly expensive, exotic spices; a solid tree stump smoothed down for use as a chopping board, decorated with lethal looking knives. There was an entrance hall filled with mediaeval armour, and the Count’s suite furnished with a dark refectory dining table, a four-poster bed and several old tapestries. A photo gallery has pictures and models of the castle in its various stages of life, not to mention a celebrity gallery of all its famous visitors, from European Royalty to American Presidents and Hollywood stars.

My favourite spot, however, was the Byzantine Gallery with its high wooden ceiling and unglassed, trefoiled arched windows overlooking the valley to the east and the hillside to the west. Perhaps it wouldn’t be so inviting on a wet and windy afternoon, but that day it provided wondrous views and an urgent desire to throw a party or a mediaeval themed wedding.bandoning the car at the top of the town, we wandered down the cobbled Rue Grande, past some picturesque old buildings older than any to be found in Australia. At the bottom was the River Our, and here we came across a handful of riverside restaurants and an enthusiastic welcome from local restaurateurs.

Feeling like chicks tucked beneath the mighty wings of the castle, we opted for an enclosed balcony where we could look out over the river and the pretty stone bridge in cosy comfort, and enjoy generous serves of schnitzels and chips in the warmth. The house we could see on the opposite side of the bridge apparently has links with the French writer Victor Hugo, who spent several summers here, writing and sketching.

After lunch, we headed north along the river, and discovered a chairlift  (le télésiège), which carried us up from the lower part of the town to a point across the valley from the castle. As my chair rose sharply up the steep hillside to the café at the top, I found myself twisting awkwardly backwards in my seat to wave at my nephew and to better see the views over the blossoming countryside – at the same time being very grateful that I wasn’t travelling in the opposite direction, to hang precariously, unnervingly over the valley as the chairlift plunged to the valley floor. Clambering stiffly off the chairlift, we meandered back through the woods towards the castle.

I can tell that this charming little town with its fairy tale castle is going to be a firm favourite to share with friends who come to stay.

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Black and white world

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Another city, another coffee shop,
just a stone’s throw from home.
Windows steaming, squawking chatter

Leaf-bare trees, pilloried, pollarded,
hem a cobbled square,
empty, but for a mob of grumpy pigeons

Street lights ooze into a sky
sapped of colour,
like ink on blotting paper

Sparse sunlight,
muffled by gloomy rainclouds,
dawdles into darkness

Headlights reflect off slick streets.
Heads bob by,
encased in knitted tea-cosies

Coats, scarves, bags, boots
in winter tones of black and grey
are all the rage

Buses queue at the kerb
to swallow and disgorge
and slide away, sated.

I meditate on friends far away,
In a technicolour land,
as my coffee gets cold…

…but time passes,
and the barren trees become blotted
with clusters of pink popcorn

Skies brighten into cornflower blue,
blemished only by soft, white clouds
and the sword-like streak of contrails

On once-bare branches
new-born leaves unfurl
and droop like lime-green bats

Bird song speckles the air,
from the first whisper of rose-pink dawn
‘til the blood-orange sun slips below the trees

Trousers walk the streets
in garish colours that require
the protection of sunglasses

Colour returns to a monochrome world

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Spring Flowers

cannon download March 15 156The Cotswolds.  A rural idyll just west of Oxford.  A variable landscape of high, open hilltops, narrow wooded valleys, villages of butterscotch limestone, and dry stone walls edging fields dusted with black faced sheep and their newborn lambs.  Today, in many of the main towns, it feels like wandering through Duty Free at an international airport: all designer labels and expensive souvenirs, coffee shops and gastro pubs. But the walled gardens are beginning to burst into bloom and the cottages still have that heart-warming, skin-tingling chocolate box appeal.

We are there to revisit the town in which we were married, twenty-five years ago.  Much to our delight, little has changed, although the Broadway Hotel, where we held our reception, has experienced a fabulous makeover and is looking a million dollars. With the Cheltenham races in full swing, the surrounding Cotswolds pubs are crammed with punters after dark, but during the day we have the place almost to ourselves. We meander down the High Streets of all our favourite towns – Burford, Boughton-on-the-Water, Broadway – peering into a profusion of art galleries, pottering around churchyards splashed with daffodils and trudging up muddy tracks onto glossy green hills. And of course, we popped into Saint Eadburgha’s, the 12th century church in which we were married, out on the Snowshill Road beneath the shadow of the Broadway Tower.

Saint Eadburgha was a great granddaughter of King Alfred the Great, a girl who preferred prayer to play, apparently,cannon download March 15 116 and there seems little else to know of her. Her church survived the 16th century Reformation, but not the earlier Norman invasion, who tore down many a simple Saxon church to replace it with a more sophisticated Romanesque design of rounded arches, square towers, spacious naves and thick Norman columns. However, the font at Saint Eadburgha’s Church is a simple stone tub that has been arranged with moss and daffodils for a funeral. Twenty-five years ago, my mother filled it with pussy willow branches she garnered from a neighbouring garden, while a childhood friend played the flute from the 14th century pulpit. My Catholic husband found it a little stark, I think, but I love its simplicity and grace. Again, little has changed: some new wooden pews at the back of the church have replaced the older Victorian ones that were irreparably damaged in a flood ten years ago; a new front door was created using all the original ironwork after a mad arsonist set fire to the 17th century door in 2014. The thick-stoned interior has certainly got no warmer in twenty-five years, when we stood at the altar, mottled with cold.  Outside, under sunny blue skies, the churchyard is bright with daffodils and snow drops sprinkled amongst moss-blurred gravestones. The view, across a narrow stream to the Cotswold hills beyond, is happy and glorious.

IMG_0154Later in the week, we make our way to the ancient market town of Chipping Camden, nestling into a nook in the hills. Here, we paused to enjoy a quiet moment and a coffee in a pretty walled courtyard full of bees and butterflies, before heading off to follow a sign for Hidcote Manor Gardens.

Arriving early, we saunter, unhindered by the usual deluge of tourists, through acres of beautifully designed gardens, from the casually arranged orchard to the more formal ones lined with topiary and refined garden beds. It soon became clear why Hidcote is considered ‘the jewel in the crown’ of National Trust properties and has gained horticultural celebrity status in the world of gardening, the epitome of a rural English garden.

Hidcote Manor may be a well-known National Trust property today, but ironically, this iconic English garden in the heart of the Cotswolds was created by a retired army major, born in America, raised in France, and a veteran of the Boer War and, as it transpired, an amateur but inspired horticulturist. Major Lawrence Johnston came to Hidcote in 1907 with his mother, a domineering and lemon-lipped social climber, less than impressed by the sensibilities of her shy and sensitive son. Independently wealthy, Mrs Johnston was keen to transform her only son into a gentleman farmer. Instead, he became a gentleman gardener, transforming the sparse, windswept hillside into a series of luxuriant outdoor ‘rooms,’ decorated with an impressive display of plants that he gathered during his travels from the Alps to South Africa, to Australia, China and Japan. His collection would bring exotic colours, scents, shapes and textures to the rambling English garden.

Johnstone, displaying innovative brilliance, blended two, then current, horticultural philosophies. Neither entirely structured nor randomly naturalistic, Hidcote was an unconventional ‘wild garden in a formal setting,’ an unorthodox approach that would quickly become the norm. Four and a half miles of well-groomed hedging divide twenty-eight distinctive gardens, each one displaying a different character, portraying a different mood, exuding a
different atmosphere.

The most breathtaking vision on this early Spring morning is the huge, hot-pink umbrella of the Japanese magnoliaIMG_8425, rising above the garden like a vast sunrise. We stand quietly on a bridge across a tiny stream to admire its gracious presence. Up the slope and through the woods, we find ourselves in a well-stocked orchard, located beside the sprawling kitchen garden and a collection of greenhouses.  One of these takes me straight home to South Australia, as we recognize the scents  the various blooms more commonly found in warmer climes.

Hidcote is both romantic and a touch theatrical, its cosy woodland paths giving way to broad views over the tousled hills towards the Vale of Evesham. It was a joyful end to a  joy-filled week of nostalgia.

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